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The annual (sub)Urban Projections multimedia fest, which began last night at the Hult Center, has grown into an event that the community seems to get more excited for every year, and rightfully so. The event is singular in this city; it’s an arts adventure with unexpected tech oddities, collaborations and innovations around every corner and up every staircase. Continue reading
Who doesn’t dream of running away and joining the circus? Well, maybe not everybody, but few in attendance for Cirque Alfonse at the Schnitzer Wednesday night would have passed up the chance to at least see “Timber!” again, and soon. Continue reading
Although critically lauded as a talented and versatile actor, Don Cheadle has been flitting on the periphery of mainstream movies for the past two decades. Most casual moviegoers don’t recognize his name, though they may recognize Cheadle’s face from Iron Man 2, Showtime’s House of Lies or Steven Soderbergh’s Traffic, one of several films (including the 1998 political satire Bulworth) for which he deserved but never received an Oscar nod (he was nominated for his role in Hotel Rwanda). Continue reading
Multi-culti is all the rage in music, food and the rest of today’s global culture. But mixing Latin American and European ingredients still felt pretty novel back in 1954, when Venezuelan composer Antonio Estévez wrote his colorful Cantata Criolla, which Eugene Concert Choir and Eugene Symphony will perform April 30 at the Hult Center’s Silva Hall. Continue reading
“Keep the Earth clean. It isn’t Uranus. (No offense to Uranus.)” That’s one of our favorite Earth Day slogans reminding us to tread lightly and kindly on this (thus far) singular planet we call home. Locally, Sol Seed, Whole Earth Nature School and Pedal Power Music are reminding you to do the same with their Earth Day Celebration, a fundraiser for the school, 7 pm Friday, April 22, at Hi-Fi Music Hall; $12 adv., $15 door. Continue reading
Eugene old-timey country-blues act Breakers Yard releases its new album Tried & Untrue April 28 at Sam Bond’s. The self-produced record draws from traditions of pre-WWII jazz, country and blues. “Generally, our band pulls from that tradition for our sound, although we each have our own favorite genres,” says Brandon Olszewski, Breakers Yard guitar, harmonica and fiddle player. “In a way, and ideally, we appeal to folks that don’t really know the traditional canon of old blues dudes and hot jazz bands.” Continue reading
Something interesting happens at the end of Flatbush Zombies’ latest release, 3001: A Laced Odyssey. Halfway through the album’s closing track “Your Favorite Rap Song,” the music drifts away and in comes an extended series of voicemail-like recordings. Most are stoned treatises to the greatness of the Brooklyn hip-hop trio. “If this is the Flatbush Zombies, I just wanna say ya’ll fucking rock,” one voice says, holding in a bong rip. Continue reading
Sharply written and deeply empathic, Steve Yockey’s Blackberry Winter trains a bright light on Vivienne, whose mother has lived with Alzheimer’s disease for a few years and is now in the throes of transitioning from assisted living (Vivienne refers to it as “the Residence Inn”) to a more confining, yet safer, nursing home. Played with tenderness and perfect clarity by Mary Buss, Vivienne is magnetizing as she draws us towards onstage objects that both elicit and anchor all-too fleeting memories: a little wooden horse, a pile of ladies’ scarves, a trowel. Continue reading
If we could time travel, rock-‘n’-roll fans might want to dial their wayback machines to Memphis’ Sun Records, Dec. 4, 1956, when legends Elvis Presley, Jerry Lee Lewis, Carl Perkins and Johnny Cash created an unforgettable musical session. Perkins, already a powerhouse with hits like “Blue Suede Shoes,” had booked the studio that day and hired a little-known session player to back him up — a guy named Jerry Lee Lewis. Continue reading
Metamorphose is back, baby. The third annual upcycled fashion and art show hosted by St. Vincent de Paul April 23 is slated to become an Earth Day weekend favorite. “It’s something that engages the community, honors our artists locally and people get to participate with voting for their favorite pieces,” says Mitra Chester, SVdP’s resident designer. Continue reading