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From April 12-16, the UO is hosting its first free and open to the public early music conference, Musicking, which includes lecture series, master classes and other coaching opportunities, along with stars from the admittedly geeky early music world, scholarly sessions and, of course, concerts, not to mention a “period-instrument petting zoo.” Continue reading
The world lost a beautiful, warm, generous, mischievous, wickedly smart and delightfully cantankerous soul the night of Saturday, April 2, when Oregon artist Rick Bartow passed away after battling congenital heart failure. He was 69. At EW, our hearts are full of sorrow. Bartow will be remembered for his mastery of color and gesture, and his spirited and unflinching work — paintings, drawings, prints and sculpture, found in museums and collections around the globe. Continue reading
Betroffenheit, the collaboration between Kidd Pivot/Electric Company Theatre, presented by Whitebird Dance at the Newmark Theatre in Portland Saturday night, pushed at odd angles through territory that at times felt dank, or prickly, hot and then cold. The audience was at times arrested, cajoled, invigorated and perhaps browbeaten. This was not namby-pamby dance for its own sake, nor was it theater alone, but a hybridization that, though not consistently successful, whatever that means, was at least doing something new. Continue reading
“It’s been some time that I’ve been wanting to have music that gives voice to those who’ve gone through Alzheimer’s disease and dementia,” says Eugene Concert Choir artistic director and conductor Diane Retallack, who has poured her energies into making the world premier of composer Joan Szymko’Shadow & Light a reality. Continue reading
Farewell John Evans. The former Oregon Bach Festival director (2006-2014) and head of music for the BBC’s classical network passed away from a heart attack March 20, reports Slipped Disc, a classical music site, and Eugene Art Talk, a site by local arts writer Bob Keefer. Evans was 62. Originally from the UK, Evans was a preeminent scholar of British composer Benjamin Britten. He compiled the 2009 book Journeying Boy: The Diaries of the Young Benjamin Britten 1928-1938. Continue reading
Come the evening of April 1, a Penske rental truck will be parked in Kesey Square as a makeshift gallery. “There’s not many places in Eugene to show the work we want to show,” says Andrew Oslovar, one of 13 members of the “nomadic art collective” Tropical Contemporary. “Our goal as an art group is getting people to unlock their doors for us so we can put work in their unleased businesses. We can make an art gallery out of anything; we don’t care if it’s nice.” Continue reading
Xcape Dance Company presents The Freak Show! with a red carpet and pre-show at 7:30 pm and show at 8:30 pm Friday, April 1, at the Hi Fi Music Hall, featuring “Non Stop hip hop, street jazz, tap, music, side shows, tricks, treats, circus acts and show stoppers,” says the group’s artistic director Vanessa Fuller. Tickets xcapedance.com; $10-$13. Continue reading
It is a truth universally acknowledged that superhero movies must feature massive amounts of property damage. Rather hilariously, we are all spending a lot of time talking about this, not about cool fight scenes (harder and harder to come by) or daring ways our heroes have saved the day. Continue reading
"Bang," "quack" and "sizzle" are onomatopoeias. If a band name were ever onomatopoeic, it would be Mexico-via-L.A.’s Metalachi — the self-proclaimed first and only heavy metal mariachi band in the world. Lead singer Vega De La Rockha calls the band’s blend of traditional Mexican music with hard rock and metal a genre of its own. “El Cucuy [trumpet player] is very fond of the ranchera sound,” La Rockha tells EW. “Pancho [guitarron player] is a fan of both genres.” Continue reading