Arts Hound

More than a year has passed since Eugene’s beloved storyteller Mark Lewis passed away. The Emmy-winning local performer, author, teacher and voice actor was nationally known for his show Word Pictures and voicing part of the Pirates of the Caribbean ride at Disneyland.  His spirit and influence lives on in the people he mentored, such as Angela Dunham and Lindsey Shields of Flex Studios, a local dance school. Continue reading 

Caesar Salad

First impressions can be deceptive. Take, for instance, Joel and Ethan Coen, whose movies seem distinctly built to not be watched but re-watched. Usually, for me, the initial pass through a Coen brothers film proves a strangely tepid affair — The Big Lebowski and Brother, Where Art Thou? felt flat and disjointed the first time around — and it’s not until I return for a second and third look that things start to resonate and deepen. Continue reading 

Back Beat

Some newsworthy concert announcements this week: On May 25, popular electro-dance act Disclosure launches Cuthbert Amphitheatre’s outdoor concert season. Let’s hope this means more relevant music comes through that beautiful venue this spring and summer. Tickets on sale now.  Continue reading 

Eclectic Jazz

Jazz, pop and world music

Badi Assad

Badi Assad comes from a distinguished Brazilian musical family, but she’s blazed new trails, not just as a guitarist (like her brothers Sergio and Odair) but also as a vocalist and body-and-vocal percussionist. Her musical vision broadened to embrace jazz, pop and world music, including collaborations with jazz giants John Abercrombie and Larry Coryell, as well as covers of U2, Bjork, Tori Amos and more.  Continue reading 

#DiversityInFilm

From a documentary on the emerging queer hip-hop movement to the avant-garde Blue, the 1993 experimental film from Derek Jarman released just months before his death from AIDS complications, the 24th annual Eugene Queer Film Festival offers an array of films expressing the dynamic and diverse queer experience.  The fest, which runs Thursday through Saturday, Feb. 4-6, will screen international submissions, art films and queer classics. Continue reading 

The Short on Shorts

My press email about this year’s crop of Oscar shorts notes that all the animated shorts are rated approximately PG, except “Prologue,” which is described as “not suitable for children.” I would go a step further and say it’s not suitable to be a nominee; it’s more of a five-minute demo reel for someone who clearly has talent but little to say. Continue reading