Spring is in the air, and dance offerings are starting to bloom

MEDGE presents belly dancer Razia Star

Spring is in the air, and dance offerings are starting to bloom, beginning with “In the Studio” with DanceAbility, an inspiring demonstration from their Everybody Can Dance teen program. Celebrate with local teens across a full spectrum of abilities and disabilities as they enjoy the art of dancing together. Guest professional dance artists led by DanceAbility teacher Jana Meszaros will also show an inspiring choreographed mixed-abilities piece with dancer Kelcie Laube. Continue reading 

Drama at the Movies

If this were a movie, it might be a complicated and acrimonious courtroom drama called A Tale of Two Theaters, in which a pair of once-united independent movie houses splits over irreconcilable differences, becoming two separate cinemas run by different ownership. Continue reading 

Pell Yeah!

Inspired by the possibilities of lucid dreaming

Pell

Jared Pellerin grew up in New Orleans but was displaced in high school when Hurricane Katrina hit. Forced to abandon all of his possessions and take with him only his resilience and the influence of New Orleans’ music culture, Pellerin relocated with his family to Jackson, Mississippi.  “Heard it’s the darkest before the dawn, the calmest before the storm” Pellerin intones on his 2014 debut album, Floating While Dreaming.  Continue reading 

Ghosts of the Dead

University Theatre's Scorched examines the plight of war refugees

University Theatre's Scorched examines the plight of war refugees

Written in 2003, Scorched is by Lebanese-Canadian writer Wajdi Mouawad. Opening Thursday, March 3, University of Oregon theater arts instructor Michael Najjar directs the play at University Theatre.  “Scorched is about a pair of twins who attend the reading of their mother’s will,” Najjar explains. “They are charged by their mother to find their father and brother they never knew they had.” If the siblings don’t follow this request, they are not allowed to bury their mother properly.  Continue reading 

Slice of Heaven

OCT'S Silent Sky tells the story of hearts and stars

Inga R. Wilson (left) and Erica Towe in OCT's Silent Sky

Lauren Gunderson’s 2011 play Silent Sky is about succeeding and failing, seeking and discovering, journeying and arriving. That is to say, it’s the story of a life — the life of astronomer Henrietta Leavitt. Silent Sky, directed by Elizabeth Helman, is playing now at Oregon Contemporary Theatre. Working at Harvard at the turn of the 20th century, Leavitt made significant discoveries leading to the development of the Hubble Telescope.  Continue reading 

Back Beat

While the Hawaiian Slack Key Guitar Festival is only in its third year in Eugene, it’s part of a 34-year-old tradition that “began in 1982 as a tribute to one of Hawaii’s iconic and most celebrated slack key musicians, Gabby ‘Pops’ Pahinui, considered the ‘Modern Day Godfather’ of Hawaiian Slack Key Guitar.” The one-day fest kicks off 7:30 pm Friday, March 4, in the Hult Center’s Soreng Theater. For newbies, slack-key guitar is a fingerstyle type of guitar music that became popular in Hawaii in the 1960s. Continue reading 

Jersey Boys at the Hult, March 1-6, 2016

Jersey has taken over the Hult, and audiences are happy.             Long-running Broadway hit “Jersey Boys” opened last night, and with its familiar tunes and Cinderella story – of four charming guys who make their way from singing under a streetlamp, to selling out shows across the country – how could it not appeal? People love this stuff. Continue reading 

Jersey Boys at the Hult, March 1-6, 2016

Jersey has taken over the Hult, and audiences are happy.             Long-running Broadway hit “Jersey Boys” opened last night, and with its familiar tunes and Cinderella story – of four charming guys who make their way from singing under a streetlamp, to selling out shows across the country – how could it not appeal? People love this stuff. Continue reading 

Toil and Trouble

Lush, brooding and contagiously creepy, The Witch is just the sort of spooky gem that fans of horror clamor for but rarely get. The film neither shocks nor bludgeons you. It does not beg indulgence, nor does it paint its grotesqueries in broad strokes. Continue reading