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As Ex Machina opens, Caleb (Domhnall Gleeson), a lanky, awkward coder of some sort, wins a staff prize. He’s whisked off to the middle of nowhere, landing in a glass-and-concrete home-slash-bunker where his company’s founder, Nathan (Oscar Isaac), is out boxing on the deck. Nathan is a man of extremes: shaven head, giant beard, either drinking himself into a stupor or working himself into a sweat. Continue reading
California’s Dr. Know are no strangers to change. The early years of these godfathers of “nardcore” were filled with fights, going through no less than eight vocalists and some inarguably excellent punk rock. Their 1983 compilations We Got Power, Party Or Go Home and It Came From Slimy Valley are championed as classics, but also showcase a band riddled by constant change. Continue reading
Hailing from Chico, California, Cold Blue Mountain combines the simple, riff-driven approach of moderately paced doom, the frenetic energy of hardcore and the melodic elements of ’90s alternative rock to craft a highly accessible, unique brand of metal all its own. Continue reading
Kevin Seconds, founding member of veteran punk-rock band 7 Seconds, says punk needs young people. “I always did say punk and hardcore is driven by the youth,” Seconds tells EW. “Whether or not I agree with what they’re doing with it — a lot of times I don’t — it’s in their hands.” He adds, “A lot of us who’ve been at it a long time need to swallow our pride and say: ‘Fuck it.’” Continue reading
Born Jo-Vaughn Scott to parents from the Caribbean, Joey Bada$$ cofounded hip-hop collective Pro Era in 2010. He was just 15 years old. “It started as a progressive movement,” the Brooklyn-born emcee tells EW. “Yeah, we was all into hip hop. But it just started with a group of friends with a bunch of similar interests: positivity for the youth, being anti-corruption. The simple shit, man.” Continue reading
The Very Little Theatre’s current main stage production Superior Donuts, directed by Stanley Coleman, is a work of both comedic and dramatic realism, like a buddy film with a twist of gut-wrenching social commentary. The interwoven genres at work here are not too surprising, as it comes from playwright Tracy Letts, who’s most famous work August: Osage County deals with the dark underbelly of Americana as a dramedy. Continue reading
100 GRAND: At the biannual BRAVA breakfast at the Hult June 5, hosted by the Arts & Business Alliance of Eugene (ABAE), executive director of the city of Eugene Library, Recreation and Cultural Services Renee Grube announced that a private donor gave ABAE $100,000 for its loan program for “quick-turnaround, low-cost financing for arts organizations and artists, as well as small, specialty creative and arts-related businesses.” Grube, also vice president of ABAE’s board, told the crowd that the loan targets “a sector that often struggles to find capi Continue reading
Here are some of the photos we took for the cover and this weeks story on the LCC ReFashion lab. Read the story here: https://eugeneweekly.com/20150604/lead-story/pretty-paper Photos:Trask Bedortha Dress: Ariana Schwartz • Hair: Gwynne McLaughlin, Studio Mantra • Make up art: Marisa Shute • Models: Katrina Jones, Ericka Weist, Savannah Weatherford Continue reading
Jon Krakauer doesn’t start Missoula: Rape and the Justice System in a College Town (Doubleday, $28.95) with one of the worst scenes in the book; he eases into it with the police pulling up to tell a young woman named Allison Huguet that her rapist has confessed. Only a couple pages later does Krakauer tell of the assault and of Beth Huguet’s horror when her daughter calls her at 4 am gasping with panicked sounds into the phone before screaming, “He’s chasing me! Help me! Save me! Mom!” Continue reading