Eugene Weekly

Purists may shudder, but musical miscegenation has always been the rule.  “Enjoy hybrid music, because that’s all there is,” Oregon-born composer Lou Harrison often said. Regarded as the godfather of what became the world music movement, Harrison typically expressed this sentiment before demonstrating how just about every form of music emerges from encounters with the sounds of other cultures and times.  Continue reading →

Had Yelawolf never elevated his game beyond the flush of his furious 2010 mixtape Trunk Muzik, which contained at least one bona-fide masterpiece in “Pop the Trunk,” he’d yet remain a significant footnote in the history of modern hip hop — an Alabama-born rapper of manic intensity and talent who gnawed his initials into the rusty proud husk of Southern culture on the skids of the 21st century. Continue reading →

It’s a troubling contradiction that today’s music business — ostensibly an industry of songs — could make a quality songwriter like Ron Sexsmith feel antiquated and out of place.  “I feel like a guy who’s making antique tables and chairs,” the Canadian musician tells EW. “I’ve always felt out of place or unfashionable ever since my first record came out.” Continue reading →

Mischief Brew still makes music for the same reasons they did in high school. According to lead singer Erik Petersen, his guitar and the road are as addictive as a bad habit. “You’re angry; you need a release,” says Petersen, who also jams on guitar and mandolin for the folk-punk band. “We’re older now. We have jobs, houses, some of us have kids. But it never gets old, and it keeps coming back to you.”  Continue reading →

Originally from Wainfleet, Ontario, neo-folk quintet Great Lake Swimmers play music as idyllic as their scenic rural hometown. Frontman Tony Dekker’s light, sweet voice and melody-driven songwriting is partnered with familiar bluegrass backing instruments: acoustic guitar, banjo, upright bass and violin. Dekker tells EW, though, that “as a group, we have a deep respect for the folk tradition, but I wouldn’t exactly call us a traditional folk band.” Continue reading →

The Northwest metal scene is rife with stoner, doom and black metal stereotypes thick enough to choke out the sun. Still there are a precious few acts that transcend, escaping the mire to unfurl like wildflowers springing from the thorniest of thickets. Amongst these are local favorites Agalloch and Yob, in many ways kindred spirits, though vastly dissimilar in sound. Continue reading →