If It Bleeds, It Leads

Nightcrawler begins as a sleek, beautifully filmed portrait of desperation in uncertain times. Under Los Angeles’ flickering lights, people are desperate to keep their jobs, or to find jobs, and a degree of dubiousness is par for the course. Lou Bloom (Jake Gyllenhaal) is a small-time thief, stealing scrap metal for cash, when he stumbles onto a new career: At a crime scene, there’s a man with a camera, gathering footage for local news. Inspired, Bloom buys his own gear and hires an “intern,” Rick (Riz Ahmed). Continue reading 

Gettin’ weird with Baby Gramps

Baby Gramps

Seattle in the ’90s was the kingdom of super fuzz and big muff, as greasy-haired white boys in skinny jeans crunched out Neanderthalic riffs like The Kinks on horse ludes. It was a glorious time, full of sound and fury, signifying Sub Pop Records. Iggy was god. Everyone was touching each other and getting sick. And through all that nevermind noise, this beardy old dude with a froggy voice and clangy guitar continued to ply his strange old-timey stylings, laying down this wonky-doodle groove that was like a surreal vaudeville patter horned through the swordfish trombone. Continue reading 

Catching up with legendary Smiths guitarist Johnny Marr

SHOW CANCELED. What would legendary Smiths guitarist Johnny Marr — now in his fifties — say to his 19-year-old self, just about to embark on a career that would lead him to become one of the most widely acclaimed and respected rock musicians of his generation?  “Don’t give up.”  And what would 19-year-old Marr say to older Marr?  “Keep a good haircut.” Continue reading 

Sallie Ford returns to Eugene with new band

Sallie Ford

Much has changed since we last caught up with Portland darling Sallie Ford a year ago. Most notably, she’s no longer with The Sound Outside, her all-dude backing band (they broke up amicably). Ford simplified her band moniker to just Sallie Ford and pulled in a team of PNW musicians — Cristina Cano on drums, Anita Lee Elliott on bass and Amanda Spring on drums. Continue reading 

Arts Hound

KLCC’s arts and culture reporter Eric Alan hosts the Dec. 5 First Friday ArtWalk starting at 5:30 pm at Eugene Piano Academy and hitting stops MECCA, MODERN, Oh So Jo and The Gallery at the Watershed. Keep an eye out for the beautiful modern and almost Fauve-like painting of Shelley Roenspie at Oh So Jo as well as new works by Adam Grosowsky — stunning gestural large-format oil portraits  — at Karin Clarke Gallery (off the guided walk). Continue reading 

Birds of Prey

Mockingjay, on first read, wasn’t my favorite book in the Hunger Games series — not by a long shot. A long trudge to a deadly battle, it was initially memorable for all the time Katniss seemed to spend crying in a closet, worrying about Peeta Mellark, who was captured at the end of Catching Fire’s Quarter Quell. I didn’t want crying Katniss; I wanted victorious Katniss, angry Katniss, a Katniss who would lead the rebellion against the Capital. Continue reading 

Electronica Does Emo

Ryan Hemsworth

The Ryan Hemsworth show at WOW Hall has been canceled. Canadian electronica producer Ryan Hemsworth describes his most recent single, “Snow in Newark,” as something he made to “get back to my first love, emo music.” This may come as a shocking change of pace to those accustomed to hearing Hemsworth either throw down thick, hawkish hip-hop remixes or candy-coated, J-poppy originals.  Continue reading 

Inspired and Insolent

Celestial Shore

“We have some great friends from Eugene,” says Sam Owens of Brooklyn-based indie-rock trio Celestial Shore. “All of them are wonderful people and talented musicians. There must be something in the water.” Last spring Celestial Shore opened for indie-rock critical darlings Deerhoof. Now Celestial Shore are coming to Eugene in support of 2014’s Enter Ghost, a collection of guitar-centric indie rock blending the sweet, British-invasion flower power of The Zombies with the taut aggressiveness of ’90s bands like The Pixies.  Continue reading