Eugene Weekly

Deception — slick, fertile, invasive deception. The Very Little Theatre’s latest production, Private Eyes, floods the theater with the sickening ocean of emotion that comes from being lied to by a lover, then dangles a life preserver just out of reach. This funny and painful play examines the concept of deceit in every possible manner: the deceit of your spouse, your shrink, yourself, even your audience. Continue reading →

“A  costume designer is a bit of a hoarder,” says Sandy Bonds, professor of costume design at the University of Oregon since 1979, adding, “an organized hoarder.”  “This is our own Value Village!” Bonds says as she unlocks a storage room in the basement of Villard Hall on the UO Campus. Inside hangs a huge collection of wearable treasures, mostly hand-constructed and all lovingly preserved.  Continue reading →

Tossing aside its usual family fare, the Cottage Theatre reaches for something darker in its current production of Stephen Sondheim’s Assassins.  “Angry men don’t write the rules,” sings the infamous John Wilkes Booth, ably played by Kory Weimer, “and guns don’t right the wrongs.” Booth is just one of nine assassins who have their day in this 1990 musical, with music and lyrics by Stephen Sondheim and songbook by John Weidman.  Continue reading →

After enlisting in the Navy at 19, actor Ben Buchanan, now 26, first trained in the stifling summer heat outside of Chicago. Later, crossing the equator, he experienced the traditional “shellback” ceremony, a 400-year-old naval ritual in which mere “pollywogs” are transformed into sturdy shellbacks. For Buchanan, this rite of passage included being shot at with fire hoses and crawling through garbage.  “It was pretty fun,” he says.  Continue reading →