Into the Wild

ACE vet Mark VanBeever goes happily never after with Into the Woods

India Potter (left), Beth Milton, Bryana Smith as Cinderella’s stepsisters and stepmother and Alexis Myles (seated) as Cinderella.

A strange species of magical realism pervades Stephen Sondheim’s Into the Woods, a darkly funny musical that mashes up a handful of our most familiar fairy tales into a salty stew of deviant psychology and romantic dissatisfaction. Keeping the outward trappings of the fables intact, Sondheim douses them with the realpolitik of reality. Hence, Cinderella finds her Prince only so-so, Little Red Riding Hood is a snarky brat and Rapunzel, left alone too long in her tower, is a neurotic mess. Continue reading 

Ask Carol Burnett

Burnett on the Garry Moore Show

Renowned for her sparkly, good-natured ad-lib ability, entertainer Carol Burnett graciously carved out a new role for women in film and television — one in which they could be funny and smart. Amy Poehler, Tina Fey, Kirsten Wiig and many others stand on Burnett’s shoulders. Now you can see this laugh-riot giant in real life, as the kids say these days, at the Hult May 7. Continue reading 

Smells Like Teen Spirit

Is it just me, or is the Eugene theater scene undergoing something of an ascendance these days? Is there a minor renaissance of the dramatic arts going on in our midst? Could it be that, along with the hip, new vitality of our downtown, pushing out decades of apocalyptic slouch and economic zombification, this city is also experiencing a similar surge in creative endeavors and the venues that host them? Continue reading 

The Price of Being Human

Having just watched Jonathan Glazer’s latest movie, Under the Skin, I’m now thoroughly convinced that we have entered a post-human age — an era of catastrophic reckoning in which humanity, threatened with inevitable extinction, will figure less and less as the engineer of its own destiny. Continue reading 

What They Do

Shook Twins

Oregon’s favorite folk sisters recently returned from “band camp.” Thankfully, stories that could veer into American Pie’s “This one time, when I was at band camp…” territory don’t end with sticky flutes but with the Shook Twins recording their fourth album What We Do with producer Ryan Hadlock. Hadlock is the same dude behind The Lumineer’s self-titled, Grammy-nominated record (remember the summer of 2012’s “Ho Hey” frenzy?). The Shook Twins host an album release party Friday, May 2, at McDonald Theatre. Continue reading 

Power Instrumental

Photo by Athena Delene | tinyurl.com/athenadelene

Human Ottoman is confident that their debut album Power Baby is going to melt your face off.  This chutzpah stems from the fact that, to their knowledge, they’re the only band in the world that uses this particular instrumentation, with Matthew Cartmill on cello, Susan Lucia on drums and Grayson Fiske on vibraphone (like a xylophone with a sustain pedal). “It’s shocking when you think you have an idea in your head about what cello sounds like and what vibraphone sounds like, and then what we do happens,” Fiske says.  Continue reading 

The Seattle Indie Trail

Friends and Family

Get ready for a whole lotta Seattle. On Friday, May 2, Sam Bond’s welcomes a showcase of three up-and-coming indie rock bands from that other Emerald City. Who’s on first? Friends and Family. Celebrating the release of their debut record Happy, Good-Looking, and in Love, Friends and Family blend the lush, idiosyncratic arrangements of Arcade Fire with Of Montreal’s glitter-pop; the sound is artful, intellectual and over the top in all the right ways. Continue reading