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Throughout the opening night performance of Grease at Actors Cabaret of Eugene, I noted that my 8-year-old companion, and the elderly gentleman next to him, were both alternately laughing, clapping or simply enthralled. Young and old, they were watching a musical from the 1970s about teenagers from the 1950s; they were both loving it. Continue reading
The Hult Center is reviving its former Wildly Wicked Women of Comedy series, kicking off July 19 with comedian Suzanne Westenhoefer, an LGBT pioneer who starting doing standup in New York City in the early ’90s. Raised in Pennsylvania Amish country, Westenhoefer is definitely a trailblazer: She was the first openly gay comedian to land an HBO special and the first to appear on Late Night with David Letterman. Continue reading
Last week, a friend wanted to know if she should see Snowpiercer. The easy answer is “Yes.” The longer, glibber answer was, “Did you want a sci-fi movie about class warfare? Then yes.” She replied, “Isn’t that what all sci-fi movies are really about?” Continue reading
Unlike previous efforts, Mike Last feels The Stagger and Sway’s latest release, Fun and Games, is a rock ‘n’ roll record — a sound the quartet has moved toward since adding Brian Schierenbeck on lead guitar. “Brian played our last CD-release show,” says Last, Stagger and Sway’s vocalist, rhythm guitarist and primary songwriter. “But he wasn’t on the record.” Last says Fun and Games has “a little more grit to it — a little more teeth. It’s more of a band record.” Continue reading
“We love Eugene,” says Ashley Edwards, vocalist and songwriter for Durango, Colorado-based Hello Dollface. “The vibrancy, the grit, the consciousness, the food.” The band’s bass player, Jesse Ogle, attended the UO, Edwards says, and this time ’round through Eugene, Hello Dollface’s “heart-quenching desert vagabond soul” will be backed up onstage by some local players: Ben Scharf, Matt Calkins and Brad Erichsen of local jazz-funk group Eleven Eyes. Continue reading
Shanna Trumbly was sitting in a cave roasting hotdogs when she saw the hummingbird. The Eugene artist was visiting Yachats with her family and, while on a hike, they had taken shelter from the rain. “Out of the corner of my eye, I see this little bzzz,” she says, fluttering her hands. “There are no flowers around or anything. It was just like rock walls and the ocean … It was so bizarre because it wasn’t even a place where a hummingbird would be hanging out.” She adds, “Right when it flew off, the rain stopped.” Continue reading
Nothing says ’Merica like star-spangled hot pants. Allison Ditson flips through a stack of her handmade garter shorts and swimwear while Prince’s “I Would Die 4 U” fills her warm attic studio. Fabric is draped over every nook and cranny — in stars and stripes, neons and florals, glittering golds and black mesh — making the cozy space look like the shared dressing room of Wonder Woman, Betty Grable and Katy Perry. Continue reading
We’re starting to live in a Jenny Slate world, and I’m perfectly OK with that. She’s brilliantly annoying on Kroll Show, as one of the Lizzes of PubLIZity; she’s the creator, with her husband Dean Fleischer-Camp, of the video and bestselling book Marcel the Shell With Shoes On; she’s been guest-starring on more TV shows than I can remember. She makes fart jokes in interviews and tweets videos of her dog. And Slate stars in Obvious Child, the rare film that can genuinely be called a feminist romantic comedy. Continue reading
This time each year, Eugene respectfully steps back and offers the stage to the Oregon Bach Festival. And no wonder: The 44-year-old classical music institution abounds with so many attractive performances, workshops, lectures and other events that we couldn’t even begin to cover them all in last week’s issue. Here’s a rundown of some remaining top recommendations. Jonathan Manson, Cello Continue reading
It takes the right combination of craziness and courage to walk away from the fame game at its peak. But in 2007, Jurassic 5 did exactly that. Feedback (2006) reached No. 6 in Billboard’s U.S. rap record sales, securing Jurassic 5’s status as pioneers of alternative hip hop. Seven years later, the same cats known for jazz sampling, scatting, multiple live MCs and even the occasional kazoo solo are once again ready to take you “back to the concrete streets,” as they rap in their 1999 self-titled LP. Continue reading