Life and Death by Pabst

Whiteaker stalwart Lefty Kelleher takes home top prize for Eugene PBR art contest

Photo by Trask Bedortha

By some fateful collision of time, situation and personality, certain individuals come to represent the places where they live, in such a way that the association becomes nearly mythological: Lou Reed symbolizes the junky glam of the East Village, Harvey Milk is forever Mayor of the Castro District, Saul Bellow haunts Chicago’s Humboldt Park. Continue reading 

The Wax Bullet War

How art saved a soldier

In a scene about two-thirds of the way through his debut memoir The Wax Bullet War (Ooligan Press. 2014. $16.95), Sean Davis finds himself standing — hungover and “clouded with drugs”— on a stage at Walker Middle School in Salem, Oregon. Davis, who only months before had been critically injured by an IED attack in Iraq, an attack that also claimed the life of his closest friend, is at the school to share some of his experiences, as well as to generate support for the troops who are still deployed.  Continue reading 

Sleepless in Mumbai

It’s impossible for me to assess my attributes as a film critic, though I can say I’ve mentored with some of the best. My dear friend Richard Jameson, former editor of Film Comment, has taught me more about movies, and how to watch and discuss them, than the thousands of pages I’ve read over the years. I call Richard, fondly, the populist snob: a man of Apollonian discernment who nonetheless finds lasting quality in more mainstream stuff, and who can discuss Spielberg with as much acuity and energetic acumen as he can Fassbender or Godard. Continue reading 

Whit’s Secret (Guerilla) Garden Of The Commons

Ben Riley, Maria Farinacci, Erin Grady, Kari Johnson and Geran Wales. Photo by Alex Notman

If you’re driving south into Eugene from I-105, look east to the foot of Skinner Butte and you may just see a rainbow. Stripes of color framing a mural shoot upward from Lincoln Alley, which, as of May 9, was still an impenetrable knot of blackberry bushes scattered with broken glass and garbage. By May 12, however, the strip of land housed a blue picnic table, a community mural and garden beds filled with the seeds of sunflowers, irises, lemon balm, Jerusalem artichoke, raspberries, bleeding heart and other plants. This is the Secret Garden of the Commons. Continue reading 

It’s OK to be a little afraid of Die Antwoord

It’s OK to be a little afraid of Die Antwoord.  Especially if you’ve gotten a gander at the videos for “Cookie Thumper” or “Pitbull Terrier,” tracks off 2014’s Donker Mag. We’re dealing here with some grade-A weirdos, but visionary weirdos with a global fan base (those videos respectively have 8.1 million and 90,000 views — the latter having been released five hours prior at press time). Continue reading 

Put a fruit on the barbie

Photo by Jeremiah Brunnhoelzl

Talkative emerges from the same squishy indie-rock primordial ooze as Animal Collective. The Portland-via-Eugene art freaks are test-driving material from their new LP Hot Fruit Barbecue May 23 at Tiny Tavern in the Whit.  Barbecue bursts from the gates with “Mongoose” — a punchy four-on-the-snare drum line propels the track beneath itchy, harebrained guitar work, garbled and shouted vocals, and electronic buzzing and beeping.  Continue reading 

Giving Voice

A celebration of a cappella music at The Shedd

Honey Whiskey Trio headline SheSings 2014

A cappella singing — that is, voices without instruments — is probably the oldest form of music, but today’s a cappella music scene feels fresh, thanks in part to the latest revival that started on college campuses in the 1990s. Although the tradition never really went away (as demonstrated by classical groups like Anonymous 4 and Chanticleer and neo-doo-woppers like The Persuasions, The Bobs and Take 6), these days find a cappella on TV, in the movies (Pitch Perfect) and on more than 1,000 college campuses.  Continue reading 

Jackal’s Jackpot

When we last checked in with The Crescendo Show, the Corvallis quartet was gearing up to record Jackal’s Kiss — the band’s first studio album. Ricky Carlson (banjo, guitar, drums, backup vocals) says working with professionals, over nine studio sessions at Portland’s Jackpot! Recording Studio, pushed the band to the next level. The indie-folk outfit is doing a mini CD Release Tour May 23-24 in Corvallis, Eugene and at Seattle’s Northwest Folklife Festival. Continue reading