Kasher in the Rye

Standup comedian Moshe Kasher explores the dark underbelly of comedy — belly laughs ensue

Moshe Kasher

“I couldn’t believe how stupid I was,” writes comedian Moshe Kasher in his new memoir Kasher in the Rye: The True Tale of a White Boy from Oakland Who Became a Drug Addict, Criminal, Mental Patient, and Then Turned 16 (allusions to the Salinger teen-angst classic fully intended). Kasher brings his act to WOW Hall April 17. “It seemed like, in the face of the most obvious answers in the world,” he continues, “I always chose the dumbest thing to do. It was like I wasn’t in control of my own brain.”  Continue reading 

Hemp Bound

A detailed and humorous look at weed’s straight sister

George Washington and Thomas Jefferson both grew hemp. Fast-forward to 2014, when President Barack Obama signed a Farm Bill into law that relaxed some of the restrictions on growing the crop most likely to have been found on a Deadhead. Michelle Obama won’t be growing hemp in her White House Garden any time soon, but the bill allows research institutions and state departments of agriculture to grow hemp in states where pro-hemp legislation has already been enacted. Oregon is one of those states.  Continue reading 

Getting Doug with High

Doug Benson

If you don’t know who Doug Benson is by now, you very well may not be smoking enough weed. The standup comedian (Gateway Doug), actor (The Greatest Movie Ever Rolled) and podcast veteran (Doug Loves Movies, Getting Doug with High) has made Eugene a regular stop four years running for his 4/21 show at WOW Hall. EW caught up with the green funnyman to talk shop, pot, podcasts and more.   Continue reading 

Sex Part II

A very involved thesis could be written about the deluge of prickly issues raised in Nymphomaniac Vol. I & II, Lars von Trier’s four-hour, two-film epic about sexual discovery and degradation. Continue reading 

Crushed Graves

Photo by Todd Cooper

If you made it to Austin-based no-fi folk act Shakey Graves’ last Eugene show, congratulations — the line stretched around the block, and Sam Bond’s quickly reached capacity.  Since then Shakey Graves has continued to build his name as one of the hottest indie-folk/insurgent blues live acts, with matinee-idol good looks and an innovative one-man show (percussion supplied by suitcase). Continue reading 

The Infamous

Mobb Deep

Well, Mobb Deep is back together after a brief disbandment and they (Hempstead, N.Y.-born Havoc and Prodigy) just dropped another banger. That’s 20 years of hardcore hip hop for those counting, and the Billboard charts always look better with their names on it. Although The Infamous Mobb Deep, released April 1, peaked at number five on the U.S. rap chart and 10 on the U.S. R&B chart, it still can’t rival the New York duo’s ’99 release, Murda Muzik, which is certified platinum, having sold more than one million copies. Continue reading 

Screamo Squares

Circle Takes the Square

If Rob Zombie happens to remake The Lord of the Rings trilogy, he could do worse than to hire Circle Takes the Square to provide the soundtrack. Hailing from Savannah, Ga., this assaultive group lays down a cathartic catapult of noise that is migraine heavy and druidic weird. Circle Takes the Square’s new album, Decompositions: Volume Number One, is a non-stop barrage of hammering beats, pitched vocal screaming and grinding, squealing guitars, occasionally relieved by medieval moments of slowed-down chanting and neo-classical harmonic interludes. Continue reading 

Arts Hound

Graphic art renegades Blunt Graffix host Gojira, a group art show featuring the work of dozens of printmasters such as Tim Doyle, Anna Witt and Print Mafia. “Gojira” is Japanese for Godzilla, so look for spewing flames and paths of destruction at the opening reception 7 pm Friday, April 18, at Blunt Graffix’s studio, 1040 Tyinn St., No. 3; live music provided by Godzilla vs. Battlesnake and the Mothras. Need more time to inspect all the two-tone scales on Zilla’s tail? Blunt Graffix hosts an open studio noon to 6 pm Saturday, April 19. Continue reading