Inherit the Winds

Imani Winds gives classical music a youthful jolt

Imani Winds

Many question whether classical music can survive its self-inflicted wounds: aging, demographically narrow (read: predominantly old, white, rich) audiences; endless recycling of the same old tunes from long-dead European composers; bloodless performances in audience-unfriendly settings, etc. The answer, my friend, is blowing in the winds — Imani Winds. Since 1997, the quintet’s concerts have mixed classical, jazz and world music, much of it contemporary, some composed by group members. Continue reading 

Vibrant Visitors

February basks in music from Brian Blade to The Bombadils to Bach

Marimbist Eriko Daimo performs at Beall Hall

Thanks primarily to a pair of forward-looking institutions, Eugene keeps attracting visiting vanguard artists that just about any other midsized mini-metropolis would envy. This month, one of them snags three young stars who are also appearing at the big Portland Jazz Festival that annually brings some of world’s finest improvisers to the Northwest. On Feb. 19, The Shedd brings back one of jazz’s greatest drummers, Brian Blade, and his mighty Fellowship Band. Continue reading 

Valentine’s Day Roundup

Concrete Loveseat

Valentine’s Day Roundup: Whether this day makes you groan or swoon, whether you have zero or 10 sweeties, at least there’s some good music to put you in the mood or take your mind off the faux holiday. The jazzy poppers of Concrete Loveseat present “Moonglow Valentine” in two shows, 7 pm ($10) and 9 pm ($8) Friday, Feb. Continue reading 

Falcons & Friends

Austin-based Mother Falcon

Mother Falcon

Oh, the exuberance of youth — a time when we scoff at being told “less is more,” exclaiming instead that “only more can be more!” Why limit music to standard guitar/bass/drums? Why not cellos, violins, banjos, saxophones and horns? Why only four people on stage when you can have 10, a dozen, even 20 musicians? These are the questions that Austin-based Mother Falcon asks, and it’s this spirit the group’s sound embodies.  Continue reading 

Rivers of Song

Inspired by many trips across the country

Amos Lee

The most recent album from Amos Lee, 2013’s Mountains of Sorrow, Rivers of Song, focuses heavily on hard times. Much of the content was inspired by Lee’s many trips across the country and the people he met along the way. “There’s going to be hardships, and I think that goes for anybody who’s been born onto planet Earth,” Lee tells me. “There are people who struggle so mightily, and yet keep a lightness about them, and those are the people who inspire me the most.” But it’s not just the people putting on a brave face for the world that stand out to Lee. Continue reading 

Hurry Up and Wait

Beckett at LCC’s Blue Door

Waiting for Godot

Lord knows, existentialism is old hat by now: It’s practically taken for granted among the cognoscenti that God is dead, life is meaningless, language is a prison, we are alone, etc., etc. Used to be the muscular existentialist pose involved an angry brow knitted under a fedora, with cigarette ash dropping upon a tattered copy of Nietzsche’s Thus Spoke Zarathustra; now, every 13-year-old playing Grand Theft Auto with a belly full of Dr. Pepper knows that life is a bunk game, full of sound and fury signifying nothing. Continue reading 

Arts Hound

Just announced: The Bali Arts Festival has invited LCC’s Balinese dance troupe Tirtha Tari to perform in the capital of Denpasar June 21, 2014. The troupe, consisting of six LCC students led by dance instructor Bonnie Simoa, will study the Legong dance form with master teacher Sang Ayu Ketut Muklen. See Tirtha Tari perform for the Asian Celebration 1:30 pm Saturday, Feb. 15, and 10:55 am Sunday, Feb. 16, at the Lane County Fairgrounds. Erin Elder of Balinese dance group Tirtha Tar  Photo by Michael Brinkerhoff Continue reading