Eugene Weekly

Go to a Casey Neill show and you never know what you might hear. One minute, he’s playing a Celtic-influenced folk song called “Paddy’s Lament;” next, an REM-esque country tune “Brooklyn Bridge;” and then, The Pogues-style punk rocker “Dancing on the Ruins of Multinational Corporations.” Some things remain constant: the influence of traditional music of the British Isles, and a fascination with where classic rock, The Clash and Bruce Springsteen intersect. Continue reading →

The stockings are no longer hung by the chimney with care, Saint Nick has come and gone once again and January has fully set upon us. After hauling the tree to the curb and mentally recapping the last few exhausting weeks, a dose of folk music might be exactly what the doctor ordered. If the doctor was a merrymaking nomad, that is.  Continue reading →

There’s a certain sunny, sensual quality to Compassion Gorilla’s “gypsy fusion” beats that will vanquish the January doldrums and have you sashaying and samba-ing (can I get a one-uh-two, three-uh-four?) around the dance floor in no time. Or in their own words: “Eight pieces of swirling gypsy delight will tickle a giggle from even the grumpy, and catapult audiences into whole-hearted dance entrancement.”  Continue reading →

When Jenny Scheinman draws her bow across her fiddle strings Friday, Jan. 4, she’ll be the least famous member of the trio she’s leading at The Shedd. The other two musicians have graced that stage often as composers/bandleaders themselves. Seattle-based guitar master Bill Frisell remains one of the world’s most venturesome yet listener-friendly musicians, while Louisiana native Brian Blade is one of jazz’s most accomplished and inventive drummers. Continue reading →