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Live performance all but died in and around Eugene more than six months ago. That’s when the COVID-19 pandemic began to take hold in Oregon, … Continue reading
In the theater world, timing is everything, as Bill Rauch certainly knows. The visionary who ran the Oregon Shakespeare Festival for a decade moved to … Continue reading
Leave it to Eugene Ballet to pull off a steampunk adaptation of Shakespeare’s most controversial play, Taming of the Shrew. That’s right, you read that … Continue reading
Rule No. 1: All works must be original. No. 2: No breaking anything, including the law. No. 3: Go over five minutes and the lights … Continue reading
It starts with the troubling and recurring dream as well as the mourning of the loss of her father. She attends a stifling high-society garden … Continue reading
One night nearly three decades ago, following a performance of Evita in which he had sung several ensemble roles, Calvin Orlando Smith stepped out on … Continue reading
Until recently, the threat of coronavirus still seemed distant. Even with several cases in Oregon, life in Eugene went on as normal. Plays and other … Continue reading
Ballet Fantastique danced with multi-mythological ambitions on wounded wings in Dragon and the Night Queen, an original ballet that pairs nicely with a Guinness. With … Continue reading
For nearly 20 years now, I’ve held a regular gig reviewing local theater productions, first in Seattle and then here in Eugene. What began as … Continue reading
The University of Oregon picked a fine time to produce A Doll’s House, Henrik Ibsen’s groundbreaking feminist play that shocked the world for decades after … Continue reading