Queer Compass
Poet Andrea Gibson speaks their truth
Coming out is a second puberty. If you’re lucky, you have a support network and a warm home to drink tea in at the end … Continue reading
We've got issues.
Coming out is a second puberty. If you’re lucky, you have a support network and a warm home to drink tea in at the end … Continue reading
Northwest Ten galloped onto the stage of Oregon Contemporary Theatre last weekend, featuring new works from Oregon, Washington and British Columbia playwrights. Dale Light’s These, … Continue reading
Not that anybody’s clamoring for my approval, but let me begin by congratulating Very Little Theatre for daring to step afoul of the staid, risk-averse … Continue reading
Lerner and Loewe’s 1947 fantasia Brigadoon contains all the familiar hallmarks of a seminal mid-20th century musical: romantic complications of a twee and slightly saucy … Continue reading
Shock, horror! A three-and-a-half hour reminder about how we haven’t changed much as a society in more than 300 years. My babysitter was none too … Continue reading
The buzz in Ashland last weekend at the Oregon Shakespeare Festival’s season openings should, by all rights, have been about Bill Rauch. The popular and … Continue reading
Now receiving its world premiere at Oregon Contemporary Theatre under the direction of Elizabeth Helman, Successful Strategies is a romantic comedy set right in the … Continue reading
Playwright Timothy Andrew McIntosh’s latest drama is a strange beast indeed. Part speculative fiction, part old-fashioned detective story, the play runs its course like a … Continue reading
Winner of the 2013 Tony award for best musical, Kinky Boots resonates with audiences worldwide. Based on a true story — the UK’s Steve Pateman was … Continue reading
When I heard that Paul Calandrino had written a new play called My Happy Hour with Pegoda — as in the Dan Pegoda, as in … Continue reading