Performing Arts: Page 44

All the World’s a Stage Kiss

University Theatre takes on playwright Sarah Ruhl's love letter to the theater

Theater
Anna Klos, Clare McDonald, Conner Criswell and TJ Lagrow in Stage Kiss

Way back when, the late, great American writer Kurt Vonnegut published a short story — “Who Am I This Time?” — about a pair of community theater actors who, awkward in so-called real life, fall in love through the character they play on stage. In Vonnegut’s sure hands, the conceit is melancholy and sweet, a concession to the fraught slapstick of authentic emotional connection. Continue reading →

Giving Care

OCT’s production of Blackberry Winter offers a powerful new portrait of illness and healing

Theater
Mary Buss and Dan Pegoda in OCT’s Blackberry Winter

Sharply written and deeply empathic, Steve Yockey’s Blackberry Winter trains a bright light on Vivienne, whose mother has lived with Alzheimer’s disease for a few years and is now in the throes of transitioning from assisted living (Vivienne refers to it as “the Residence Inn”) to a more confining, yet safer, nursing home.   Played with tenderness and perfect clarity by Mary Buss, Vivienne is magnetizing as she draws us towards onstage objects that both elicit and anchor all-too fleeting memories: a little wooden horse, a pile of ladies’ scarves, a trowel.  Continue reading →

The Original Super Group

Jukebox musical Million Dollar Quartet celebrates the 1956 session that brought together Cash, Presley, Jerry Lee Lewis and Carl Perkins

Theater

If we could time travel, rock-‘n’-roll fans might want to dial their wayback machines to Memphis’ Sun Records, Dec. 4, 1956, when legends Elvis Presley, Jerry Lee Lewis, Carl Perkins and Johnny Cash created an unforgettable musical session.    Perkins, already a powerhouse with hits like “Blue Suede Shoes,” had booked the studio that day and hired a little-known session player to back him up — a guy named Jerry Lee Lewis.  Continue reading →

Her Aim is True

Cottage Theatre hits the bull’s-eye with Irving Berlin’s classic musical Annie Get Your Gun

Theater
Stephanie Philo Newman in Cottage Theatre’s production of Annie Get Your Gun

It’s not necessarily downbeat to claim that a given theatrical production is completely carried by one performance in particular — to lavish praise on an actor who puts the play on her back and carts it expertly and, of equal importance, joyously from her first appearance on stage to the proverbial drop of the velvet curtain. This is especially true in community theater, a distinctly democratic institution where the egalitarian instinct gives a nudge to tender swaths of talent that blend in a stew of ability, some of it realized but not always. Continue reading →

Shadow & Light at Beall Hall, April 8

Performing Arts

The capacity crowd at Beall Hall Friday night was only satisfied after not one, but two standing ovations for Joan Szymko’s new work “Shadow & Light”, performed beautifully by the Eugene Vocal Arts Ensemble, the Eugene Concert Orchestra and soloists Marietta Simpson, Sarah Joanne Davis and Brendan Tuohy, under the direction of artistic director and conductor Diane Retallack.  Continue reading →

Kidd Pivot/Electric Company Theatre

Dance

Betroffenheit, the collaboration between Kidd Pivot/Electric Company Theatre, presented by Whitebird Dance at the Newmark Theatre in Portland Saturday night, pushed at odd angles through territory that at times felt dank, or prickly, hot and then cold. The audience was at times arrested, cajoled, invigorated and perhaps browbeaten. This was not namby-pamby dance for its own sake, nor was it theater alone, but a hybridization that, though not consistently successful, whatever that means, was at least doing something new. Continue reading →