Performing Arts: Page 53

Bedtime Stories

Art, truth and murder collide in LCC’s production of Martin McDonagh’s The Pillowman

Theater

On the surface, Irish author Martin McDonagh’s plays are foul, transgressive affairs, full of piss and vinegar and erect middle fingers. In the tradition of his literary forbears Swift, Joyce and Beckett, McDonagh is a relentlessly physical writer given to depicting all manner of human grotesquery — violence, perversion, degradation, deformity and compulsive cussing of the worst kind. Continue reading →

Comedy’s Top Mensch

Molière’s 17th-century French farce gets a 21st-century makeover

Theater

Playwright David Ives (A Flea in Her Ear, Venus in Fur) calls his play The School for Lies a “translaptation” of French playwright Molière’s classic 1666 farce The Misanthrope. Lies is now playing at University Theatre under the direction of Tricia Rodley. Ives has maintained much of the source material’s language. The play is written in rhyming verse, and Ives adds well-timed modern zingers for comic effect.  Continue reading →

Eugene Ballet Company’s “The Sleeping Beauty”: Oct 24, 2015

Dance

Eugene Ballet Company opened its season with a dazzling production of choreographer Petipa and composer Tchaikovsky’s “The Sleeping Beauty.”  What a treat to ease into a classical ballet – fairies! Good ones, one really bad one, garland dancers, dancing cats, dancing bluebirds (Question for Petipa: Why no scene where Puss in Boots chases the Bluebird? – but I digress) – the overall effect was pure magic, and the classic roots of the dancing showed off the sharp technique of the EBC dancers. Continue reading →