Performing Arts: Page 64

Moshe Pit

Comedian Moshe Kasher sounds off about life on tour

Comedy
Moshe Kasher

You know him from the internet, his standup comedy and his character “Pig Bottom” on Tubbin’ with Tash on YouTube. He doesn’t shy away from mainstream screens either; Moshe Kasher has also been featured on Chelsea Lately, Late Night With Jimmy Fallon and Conan. He is also a writer for the sitcom The New Normal and author of memoir Kasher in the Rye (which is reviewed by William Kennedy in EW’s April 17 issue). Continue reading →

Behind Zoot Suit Riot

Dance
Danielle Tolmie, Mark Tucker, Steve Perry, Reed Souther and Victoria Harvey. Photo by Jon Christopher Meyers

Sarah Ebert may be a newcomer to choreographing for the Eugene Ballet Company, but she hasn’t shied away from the pace. “In modern dance, we take months to let things marinate — we explore, we play. But in ballet, the time limit is interesting. It’s fast, and it works, because the EBC dancers are willing to experiment,” Ebert says.  Continue reading →

A Faithful Fiddler

Cottage Theater stays true to Fiddler on the Roof and sells out shows

Theater

Since its debut in 1964, Fiddler on the Roof has held a certain special status among Broadway shows. It is the Beastie Boys of musicals — beloved, offbeat, wise and wiseacre-ish, slapstick hip. More times than I can count, the mere mention of Fiddler has caused a friend to break out in baritone: “If I were a rich man, yubby dibby dibby dibby dibby dibby dibby dum…” Continue reading →

Grandpa Aziz

Comedian Aziz Ansari makes his Eugene debut at the Hult

Comedy

You know him as the government employee with the most swagger (Tom Haverford, Parks and Recreation), the rambunctious, Oligocene-era rabbit pirate Squint (Ice Age: Continental Drift), the guy at James Franco’s party who gets kicked into hell’s sinkhole by Kevin Hart (This is the End) and the tagline-spewing hack comedian Raaaaaaaandy (Funny People). And, of course, just as standup comedian Aziz Ansari.  Continue reading →

Maybeas Corpus?

Rigor mortis sets in at VLT

Theater
Don Aday and Heidi Anderson in VLT’s Habeas Corpus

British theater is heady, chewy stuff — especially British farce, which typically excels in wit and wordplay. Consider, for instance, a playwright like Sir Tom Stoppard, who included in his masterpiece Rosencrantz and Guildenstern Are Dead a scene in which the two leads play a rapid-fire “Game of Questions” that is essentially verbal Ping-Pong on speed. In general, American drama post-Tennessee Williams lacks such linguistic finery. Continue reading →

Sneak Peek: Aziz Ansari

The Modern Romantic of Comedy brings his shtick to the Hult Thursday

Comedy

Aziz Ansari is a comedian with the zeitgeist nipping at his heels. Having found fame and a devoted following first with MTV’s comedy sketch show Human Giant,  and then playing the loveable trend-chaser Tom Haverford on Parks and Recreation, followed by rapid-fire releases of his comedy specials, Ansari is now tackling contemporary courtship, literally — like in a book. Romance and relationships in a tech-drunk world are at the heart of his upcoming book, Modern Romance, and tour of the same name, which comes to Eugene this Thursday, March 27. Continue reading →

Come Sail Away

ACE gets sunny with Once on This Island

Theater
Alexis Myles, Kirstin Nusser and Troy Pennington

More so than any other theater company in town, Actors Cabaret of Eugene continues to reflect the spirit and ethos of Eugene. Led by artistic director Joe Zingo and executive director/producer Joe Roberts — and with help from the indomitable Mark Van Beever, whose music direction is always top tier — ACE channels the best of our local culture by remaining free-spirited and at the same time hewing close to a tradition that is equal parts frontier strong and renegade D.I.Y. Continue reading →

The Agony and the Ecstasy

Ecstasy: A Water Fable is a beautiful production that teeters into overly deferential territory

Theater
Jessica Ray, Alex Mentzel and Matt Ober

Spiritual fracture and cultural alienation are at the heart of Ecstasy: A Water Fable, a play by Egyptian-American writer Denmo Ibrahim based on the Sufi tale “When the Waters Were Changed.” Directed by Michael Malek Najjar, UO’s University Theatre’s production of Ibrahim’s work — a triptych that flashes among three characters all seeking some form of reconnection with their origins — is technically adept and swift, clocking in at about 90 minutes. Continue reading →

Double Trouble

Comedy

Tiny Tavern is putting its funny where its mouth is. The revamped Whiteaker bar hosts frequent comedy open mics with Mac Chase at the helm, and now local comedian Isaac Paris has booked “Comics in Glasses: Entertaining the Masses,” featuring the comic prowess of Torontonian David Heti, an “offbeat genius” a la Woody Allen (with the mug of a blond Adrian Brody), and “nerdcore folk duo” The Doubleclicks, a Portland sister act that sings about Pride and Prejudice heartthrob Mr. Continue reading →