Happy Days Are Here Again

Red Cane makes Much Ado about the red, white and blue

David Angier and Lizz Torrecillas in Much Ado About Nothing. Photo courtesy of Red Cane Theatre

The plays of Shakespeare are infinitely flexible, capable of being transported across time to various historic eras and transplanted into soils that are vastly different than those originally intended. Some adaptations work splendidly, others not so much: I’ve seen the Bard by turns relocated to late-20th-century Venice Beach, wedged wickedly into Nazi Germany and, not too long ago, given the hipster goose of modern Manhattan. Continue reading 

Summer Nights

Jordan Bowotny, Samantha Tucker, Rachael Meyer, Samantha White, Naomi Todd and Madison Baker

Throughout the opening night performance of Grease at Actors Cabaret of Eugene, I noted that my 8-year-old companion, and the elderly gentleman next to him, were both alternately laughing, clapping or simply enthralled. Young and old, they were watching a musical from the 1970s about teenagers from the 1950s; they were both loving it. Continue reading