Shifting the Landscape
Second Friday Art Walk and TwentyAfterFour light up Springfield
TwentyAfterFour mural, by Dylan Kauz and Capsel Rock Continue reading
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TwentyAfterFour mural, by Dylan Kauz and Capsel Rock Continue reading
The Futureforecast of Stormcloudcomputing — just sit with that for a moment. That’s the name of the UO visiting artist lecture by Chicago-based interface artist Jon Satrom. Satrom manipulates all those zeroes and ones in your smart gadgets to make glitchy electronic and video art like “Windows Rainbows and Dinos.” The lecture, or “desktop performance,” begins at 6 pm Thursday, May 9, at 177 Lawrence Hall, University of Oregon; free. Continue reading
Upcoming Eugene Fashion Week events: Friday, May 3 The Ready To Wear Runway Show, all ages, 8pm, The Shedd. $12 adv., $15 door, children under 12 half off. Continue reading
‘The Oregon Trail,’ 8 ft. by 4 ft. Slabs of redwood, spalted maple, black walnut and butternut — these are printmaker Josh Krute’s inspiration and tools, but it all started with driftwood found at Colorado’s Blue Mesa Reservoir. Continue reading
Eugene Fashion Week (see 4/25 issue) wraps up this weekend with the Ready-to-Wear (May 3) and Avant-Garde (May 4) runway shows at The Shedd. EW is excited to see this culturally symbiotic relationship; EFW is exactly the kind of youthful shot-in-the-arm The Shedd needs to attract a younger demographic, and The Shedd provides the kind of institutional recognition that EFW needs to keep growing. Continue reading
Courtney Wade of Seams Legit with model Sephirah Krinsky. ‘Everything she wears turns to gold. She’s not afraid,’ Wade says. Photo courtesy Melissa Mankins / Paper Moon Photo Studio Continue reading
EW hits the streets to capture Eugene’s fashion-forward after dark. here, they describe their style in their own words. Grady Lambert, 23 Family-inspired. This is my dad’s jacket from the ’80s. [His dad fell in love with his mom in this very jacket.] Malichian Davis Rabinowitz, 26 Continue reading
In nature, colors communicate: Red means danger and avian mates are selected based on the hue of their feathers. In fact, when it comes to birds, the males almost always display brighter plumage and greater ornamentation than their female counterparts; think ducks, peacocks and birds of paradise. Charles Darwin concluded that sexual dichromatism (the color differences between sexes in species) is caused by an evolutionary-honed female preference for bright colors in males. Continue reading