Eugene Weekly

Choreographer David Parsons’ signature piece, Caught (1982), features more than 100 leaps in six minutes by a solo dancer who is repeatedly trapped in mid-motion by the strobe lights he controls, creating an illusion of flight. Seen live, the work is unforgettable; I saw it once here, in Eugene, at the Hult Center, danced by Parsons himself. Caught seems an apt metaphor for dance: vital, powerful yet ephemeral, almost fragile. Dance requires a nutritive base to thrive, constant support and a collaborative spirit. Any dance venture is a leap of faith. Continue reading →

Mysterious forces drew Bonnie Simoa to Bali, Indonesia to study the legong dance, which she has now been practicing for two decades.  Simoa founded a dance company in Davis, California, and as the company was beginning its seventh season, she says she needed something more from her dance life. “I wanted to go some place where dance and spirituality and life were more integrated,” she says. By chance, Simoa came across Bali and then disbanded her company, put her things in storage, left her dog in the care of her sister and relocated to Indonesia for six months.  Continue reading →

Across the wood floorboards at WOW Hall, there’s a frenzy of writhing limbs, bare feet and butts. In fact, someone farted square in my face while stretching. The crowd is intimate, exchanging kisses on the cheek, sharing bear hugs, grinning widely. Clearly, this is a special gathering.  This is Coalessence Dance, a bi-weekly “ecstatic” dance gathering centered on building community through motion. Continue reading →