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Jersey has taken over the Hult, and audiences are happy. Long-running Broadway hit “Jersey Boys” opened last night, and with its familiar tunes and Cinderella story – of four charming guys who make their way from singing under a streetlamp, to selling out shows across the country – how could it not appeal? People love this stuff. Continue reading
Jersey has taken over the Hult, and audiences are happy. Long-running Broadway hit “Jersey Boys” opened last night, and with its familiar tunes and Cinderella story – of four charming guys who make their way from singing under a streetlamp, to selling out shows across the country – how could it not appeal? People love this stuff. Continue reading
Lush, brooding and contagiously creepy, The Witch is just the sort of spooky gem that fans of horror clamor for but rarely get. The film neither shocks nor bludgeons you. It does not beg indulgence, nor does it paint its grotesqueries in broad strokes. Continue reading
After more than a decade of writing about movies, the Oscars, somehow, still raise a fire in me. I know I will be disappointed. I know there will be one or two wins that seem perfect, one or two speeches that surprise, just like I know that most of the lauded films will be about white men enduring something. I know the Oscars matter, on a business and cultural level, no matter what the Coen brothers — who’ve conveniently already earned a few — say. Winning is power and power is money, and money lets people decide which stories get told. Continue reading
Last year, Seattle band Chastity Belt released its debut, Time to Go Home, on Hardly Art, a subsidiary of Sub Pop Records used to foster and grow interesting bands that might not otherwise be quite ready for prime time. The album runs the gamut of Northwest indie rock: a little Riot Grrrl here, a little Nirvana there, a little Sleater-Kinney elsewhere. Listen closely and hear the guitar tone of REM’s Peter Buck on the song “Trapped.” Continue reading
Is another run through of Burt Bacharach’s music really what the world needs now? Continue reading
Ani DiFranco doesn’t mince words: Her current tour is called Vote Dammit! The objective is to ignite the political fires of an audience through music and community building. “It’s about participation,” DiFranco tells EW. “If we sit out on election day, bad things will happen, but if everyone who could vote would vote we’d have a better country.” Continue reading
How to Be a Sissy, a new solo work by actor-writer Brian Haimbach, opens with the memory of a little boy wearing a towel on his head and imagining that he has long, glorious hair. “I always played with dolls, as early as I can remember,” says Haimbach, who directs the theatre program at Lane Community College. “I don’t remember when I started putting the towel on my head — maybe about third grade.” As a boy, Haimbach’s mother made him keep his hair closely cropped. Continue reading
As the tilted Earth spins and progresses through her orbit, late February brings light and warmth flooding back to us. But spring is not the only fresh thing bubbling up from all points the south. The Oregon Shakespeare Festival in Ashland soon greets the lengthening days, buzzing with new stories that are beautifully staged. Under the artistic direction of Bill Rauch, the internationally renowned festival’s 81st season boasts first-run plays, elegant classics and a commitment to bringing a broader world perspective to the stage. Continue reading
Dancers and drummers perform outside an Afro-Cuban cultural center in Havana Continue reading