The Spectre of Mediocrity

James Bond is a real son-of-a-bitch. Emotionally withdrawn and given to bouts of depression, the agent known as 007 is a classic anti-hero — sadistic, taciturn and misanthropic, he is an assassin driven by the icy requisites of duty but given to the thrill of stepping outside the lines when he smells a rat within his own intelligence organization. Continue reading 

American Noise

You can join a band even if you can’t play an instrument

Fun fact: You can join a band even if you can’t play an instrument.   “When we started the band I did not play any instruments,” Mallory Graham of Nashville’s The Rough and Tumble tells EW. “And I was terrified to do so.” Graham says her college friend Scott Tyler convinced her that if she agreed to play music with him, her lack of musical experience wouldn’t be a problem.  Continue reading 

Music x MECCA

The songs of Brooklyn-based quintet Lucius

The songs of Brooklyn-based quintet Lucius range from alt-country ballads and ’60s psychedelic to percussive pop with beguiling melodies and dance rhythms. But it’s the powerful harmonizing vocals of lead singers Jess Wolfe and Holly Laessig that really separate their sound from the mainstream. Listening to the band’s acclaimed debut album Wildewoman (2013), it’s easy to assume there’s just one singer, such is the impressive vocal union of Wolfe and Laessig.  Continue reading 

A Mental Escape

Soccer behind bars provides relief from despair

Article 24 of the Universal Declaration of Human Rights recognizes that every person has the right to leisure. For many people, leisure consists of playing soccer, especially with goals, referees, out-of-bounds lines and other standard conditions — including opponents. These things are not so easy to get at the Oregon State Penitentiary (OSP), I discovered when I came to play there as an outsider in a prison soccer match. Continue reading 

Comedy’s Top Mensch

Molière’s 17th-century French farce gets a 21st-century makeover

Playwright David Ives (A Flea in Her Ear, Venus in Fur) calls his play The School for Lies a “translaptation” of French playwright Molière’s classic 1666 farce The Misanthrope. Lies is now playing at University Theatre under the direction of Tricia Rodley. Ives has maintained much of the source material’s language. The play is written in rhyming verse, and Ives adds well-timed modern zingers for comic effect.  Continue reading