The Assassin
Having all but walked away from movies in exhaustion and disgust after finishing his last full-length feature Killing Me, local writer-director Henry Weintraub now returns to the cinematic fold with The Assassin, a compact gem of shoestring filmmaking. Shot in digital black-and-white and devoid of dialogue, this surreal short film about a low-rent, grungy killer is in many ways a return to Weintraub’s roots in slam-bang, low-budget auteurism, and the joy he rediscovered in the endeavor shows in every frame. Continue reading