Reuben off!

There are a lot of businesses around Eugene that claim to have “The Best Reuben in Town.” The sandwich itself is iconic across the country: Rye bread loaded with either pastrami or corned beef, topped with sauerkraut and either Thousand Island dressing or Russian dressing. We decided that it would be fitting to find out who, if anyone, deserved the title for “the best.” Many Reubens were eaten. Lengthy discussions were held. Criteria changed and evolved to account for creativity and tradition. Continue reading 

The Means Justify The End

It’s been six long years since the last Edgar Wright/Simon Pegg collaboration, the gets-better-with-age Hot Fuzz. Wright and Pegg have kept plenty busy: Wright directed Scott Pilgrim vs. the World, my favorite comic book movie that comes off like a video game movie, and Pegg, of course, is Scotty in the new Star Trek franchise. Pegg and the third member of this trio, Nick Frost, spent some time on the disappointing Paul, while Frost memorably appeared in the entirely excellent Attack the Block (which Wright executive produced).  Continue reading 

Ra! Ra! Riot!

Ra Ra Riot’s 2010 release, The Orchard, begins with a solemn and lush track of the same name that’s heavy on strings and atmosphere supplied in part by now-departed cellist Alexandra Lawn. “Dance With Me” kicks off 2013’s Beta Love very differently. And the song title pretty much says it all. The New York-based Ra Ra Riot — formerly known for classical-leaning string arrangements and bookish, collegiate indie rock — has put on its dancing shoes. Continue reading 

New Numan

The man behind one of the New Wave era’s wormiest ear worms “Cars” could have been content to remain a one-hit wonder. Instead, industrial-synth pop pioneer Gary Numan has maintained a vital artistic output over a career spanning three decades. And this fall the iconic artist will put out Splinter (Songs from a Broken Mind), his first album of all-new material in seven years. Continue reading 

Matt, Pondering

Matt Pond’s sound is pure chamber pop: introspective and literate, backed up by lush string arrangements and delivered with classical music formality. Pond (who dropped the PA of his former band Matt Pond PA) toils in semi-obscurity, despite 10 full-length records and an impressive array of EPs.  Continue reading