Chasing Terror

Within a minute of Zero Dark Thirty, I was in tears. Director Kathryn Bigelow doesn’t pull punches, and the film’s dark-screen open is no exception: It leaves the images to your imagination as the audio gives you scared, horrified, frantic voices. I assume these are re-creations of audio from 9/11. If they’re not, I don’t want to know.  Continue reading 

Ornamental Natives

Some of the best native plants for our climate

Studies show that native plants attract a wider variety of pollinating insects than standard garden ornamentals do, and pollinators need all the help they can get these days. That’s just one more reason to include native plants in your landscape. This top 10 list of showy, well-behaved native shrubs reaches a bit beyond the boundaries of the Willamette Valley, but all will tolerate conventional garden conditions, including summer irrigation. Vine maple (Acer circinatum) Continue reading 

Sweet Americana

When Carolann Solebello — one of the original members of the Americana trio Red Molly — stepped down in 2010, it was decision time for the other two women. Should they recruit a new member? Continue on as a duo? Call it quits? After some deliberation they decided to bring in a new “Molly,” and as fate would have it, her name is actually Molly. Continue reading 

Blast Beats Fallujah

Fallujah seems to be a band of contradictions. Ask a handful of metal fans about them, and you’ll get no consensus on what type of band Fallujah is. Either you think their genre-blending works, or it muddies disparate sounds that don’t work well together. Continue reading 

Warm Electric Winter

Canadian songwriter Rachael Cardiello’s 2011 EP, One for the Wind, is a quiet little affair, featuring the classically trained violist’s expressive voice against sparse string arrangements, waltz time signatures, old world acoustic songwriting and classic cabaret atmosphere — like the song “Mandolin; Broken String,” complete with a charming Kurt Weill-inflected piano melody. Continue reading 

The Many Sounds of Casey Neill

Go to a Casey Neill show and you never know what you might hear. One minute, he’s playing a Celtic-influenced folk song called “Paddy’s Lament;” next, an REM-esque country tune “Brooklyn Bridge;” and then, The Pogues-style punk rocker “Dancing on the Ruins of Multinational Corporations.” Some things remain constant: the influence of traditional music of the British Isles, and a fascination with where classic rock, The Clash and Bruce Springsteen intersect. Continue reading