A friend of mine uses “stomp/clap band” to describe the recent trend of indie folk/pop, a sound reaching both its penultimate victory and sure sign of eminent decline with The Lumineers appearing at the Grammys and Mumford & Sons’ best album win. “You won’t find any ‘hos’ and ‘heys’ in our tunes,” says Terrible Buttons vocalist and guitarist Kent Ueland, referencing the recent hit “Ho Hey” by The Lumineers.
While the Spokane-based group describe themselves with the tongue-in-cheek classification “horror folk,” they’re quick to distance themselves from other bands in the recent folk revival. “When someone says ‘folk,’ The Lumineers and Fleet Foxes come to mind,” Ueland says. “That isn’t us. I feel that we come from a similar rootsy place but have a much darker tone.”
Musically, Terrible Buttons do share a lot with groups like Mumford and Sons and Fleet Foxes, such as large, acoustic-based lineups featuring horns, violins and unusual percussion as well as carefully thought out male/female vocal harmonies rooted in traditional music, but the Buttons add Modest Mouse’s clamorous indie rock with the epic arc of Arcade Fire to the mix.
And Ueland’s ragged snarl delves into darker territory than the band’s more radio-friendly contemporaries, like in “Divorce Papers” from their 2011 release, Plates of Ether. In it he sings: “My smiling bride learned to cry; as we grew older and learned how to die; and I swallowed all my pride; as unequally yoked I died, she died, we died.”
Terrible Buttons and Felsen play 8:30 pm Saturday, Feb. 23, at Axe & Fiddle in Cottage Grove; $5.
A Note From the Publisher

Dear Readers,
The last two years have been some of the hardest in Eugene Weekly’s 43 years. There were moments when keeping the paper alive felt uncertain. And yet, here we are — still publishing, still investigating, still showing up every week.
That’s because of you!
Not just because of financial support (though that matters enormously), but because of the emails, notes, conversations, encouragement and ideas you shared along the way. You reminded us why this paper exists and who it’s for.
Listening to readers has always been at the heart of Eugene Weekly. This year, that meant launching our popular weekly Activist Alert column, after many of you told us there was no single, reliable place to find information about rallies, meetings and ways to get involved. You asked. We responded.
We’ve also continued to deepen the coverage that sets Eugene Weekly apart, including our in-depth reporting on local real estate development through Bricks & Mortar — digging into what’s being built, who’s behind it and how those decisions shape our community.
And, of course, we’ve continued to bring you the stories and features many of you depend on: investigations and local government reporting, arts and culture coverage, sudoku and crossword puzzles, Savage Love, and our extensive community events calendar. We feature award-winning stories by University of Oregon student reporters getting real world journalism experience. All free. In print and online.
None of this happens by accident. It happens because readers step up and say: this matters.
As we head into a new year, please consider supporting Eugene Weekly if you’re able. Every dollar helps keep us digging, questioning, celebrating — and yes, occasionally annoying exactly the right people. We consider that a public service.
Thank you for standing with us!

Publisher
Eugene Weekly
P.S. If you’d like to talk about supporting EW, I’d love to hear from you!
jody@eugeneweekly.com
(541) 484-0519