• Eugene Weekly Loves You!
Share |


Go to a Casey Neill show and you never know what you might hear. One minute, he’s playing a Celtic-influenced folk song called “Paddy’s Lament;” next, an REM-esque country tune “Brooklyn Bridge;” and then, The Pogues-style punk rocker “Dancing on the Ruins of Multinational Corporations.”

On Saturday, Cozmic will open its doors to host the 11th Annual Dance for Africa Benefit Concert.

Dec. 21 has passed and we’re all still here! Time to celebrate another year.

Once upon a time, in the days when “greed was good,” anything homemade was synonymous with shabby. Growing up in the Reagan age, a stage filled with buckets, washboards, kettles, spoons and cigar box guitars would’ve seemed more at home on a street corner or back alley saloon.

The Floydian Slips’ Asher Fulero (keyboard, vocals) was “getting ready for the intergalactic mayhem” that some predicted for Dec. 21 when EW caught up with him.

You’ve undoubtedly heard of local favorites the Cherry Poppin’ Daddies, seeing as they scored a major radio hit with “Zoot Suit Riot,” which was recorded right here in Eugene.

Covering local music in Eugene for a few years now, I’m frequently gob-smacked by the amount of talent in this town. And coming up at Sam Bond’s on Dec. 23 is a bill that showcases three of the city’s finest up-and-coming young songwriters.

Portland’s Brooks Robertson is one heck of a funky fingerstyle guitarist, and he’s bringing his act — two of them, actually — to Sam Bond’s.

Kinky Friedman is back in the saddle again and he’s blazing trails. The self-proclaimed “cowboy philosopher” will be completing a busy year when he rolls into town with his “Bipolar Tour: A Fact Finding Mission”.

One day last winter, UO music professor Brian McWhorter chanced to encounter Eugene Ballet Executive Director Riley Grannan at a local cafe. The company had recently performed McWhorter’s original score, Tyranny of the Senses, he had just played trumpet with Portland’s Oregon Ballet Theater and next year, his young children would be old enough to attend their first performance of Tchaikovsky’s Christmas perennial, The Nutcracker.

While it’s undeniable that Ninkasi Brewing Company has seen success in recent years, less is known about the relationship it has developed with dozens of local and regional independent musicians for mutual promotion and exposure — and the man who is making it happen.

Guaranteed, there will be no show in Eugene that sounds like the one Luckey’s is hosting Dec. 15.

One thing is for certain when you listen to the music of Portland’s Battleme — you are going to rock ‘n’ roll yourself silly in the grooviest way imaginable.

If Cormac McCarthy rewrote Little House on the Prairie, Horse Feathers could provide a perfect soundtrack to the many film adaptations sure to follow.

Garrick Bushek, aka Marv Ellis, is perhaps Eugene’s most famous emcee. And despite a move to Portland, Ellis is once again living in Eugene and remains a popular attraction on local stages.

“Chestnuts roasting on an open fire ...” If only. The holidays are the season for the comfort of familiarity, and in this holiday music season, that doesn’t just apply to carols.

Shameless plug alert: Don’t miss EW’s Next Big Thing 2012 CD Release Party 9:30 pm Friday, Dec. 7, at Sam Bond’s, featuring performances by Volifonix, Paul Quillen and Tara Stonecipher and The Tall Grass.

Take part single mother since 17, part former stripper and plus-size porn star, part successful musician and part cancer survivor. Put them together and you’ve got so much more than bibbidi-bobbidi-boo; you’ve got Candye Kane.

I love fado singing. When done right, the traditional Portuguese musical style will transport you directly to Lisbon: a dimly lit bar, a woman and a guitarra (Portuguese guitar) — lamenting the life of the poor, singing of the sea or of lost love.

Since they last rolled through Eugene over a year ago, Blue Scholars has been busy.

It’s rare that a triple-bill generates an equal amount of excitement for each individual artist, but this one does exactly that.

What can be said about a legend like Jonathan Richman that hasn’t already been said?

Math The Band sounds like how a 12-year-old boy sticking a booger in your face feels — but ... in a good way.

When it comes to musicians, reinvention isn’t a new idea, it just gets a little harder as the years go by.