The work of illustrator and graphic novelist Elizabeth Blue might best be described as “Southern Gothic.” Her approach incorporates themes of romance, crime, fairy tales and family relationships to fashion compelling visual narratives.
The first volume of The Micanopy Murders, Blue’s beautiful graphic novel, is available for purchase online. Blue dreams of one day releasing the entire work in a single binding. However, her painstaking work ensures that for now, at least, the book will appear incrementally in individual albums, with the release of Book Two still up to a year away.
The graphic novel’s story takes place in Micanopy, Fla., a real-life community a couple hours north of her native Tampa, a place Blue describes as “just one of those little towns that got left behind.” Blue says her story, set in 1961, is about “the stale, sad feeling you can have in the South.”
Blue’s Micanopy faces two threats, the staggering heat of a major drought and something more insidious: a rash of unexplained murders. The story enjoys a leisurely, Hitchcockian pace, with nearly wordless scenes punctuated by characters engaging in unexpected exposition — not to mention violence — lovingly rendered in India ink and gouache.
That sense of give and take, push and pull is mirrored in the book’s formal structure as well, with some pages accommodating up to nine comic book panels, and others operating as one single, detailed panel.
Though she enjoyed growing up in Tampa, Blue says that both she and her twin sister Dido, now a milliner based in Austria, knew from a young age that Florida was not for them.
“We were very gloomy teenagers,” Blue says, stranded in a part of the country known for sunshine.
The girls’ father, an advertising art director, took a business trip to Scotland and suggested it might match the macabre sensibilities infused in Blue’s influences, media like Tim Burton films, Law and Order: Criminal Intent, The X-Files and the graphic novels of Dan Clowes and Charles Burns — tales of misanthropic loners and misunderstood geniuses, characters that often sport odd quirks and special abilities.
Blue considered more traditional choices for launching a career as an artist, she says, but in the end decided, “If I’m going to find myself in New York, I might as well find myself in Scotland.”
It turned out Blue’s father was right; she loved it. “There’s something liberating and exhilarating about the depressing gloom there,” she says.
Blue earned both her bachelor’s and master’s degrees in the U.K., along the way winning a graphic literature prize for Book One of The Micanopy Murders, an award that included a modest publishing deal.
Despite her affection for the U.K., Blue says that the setting of her story “had to be the South because of the way there’s a storminess inside,” when it comes to both the weather and to human emotions, a sublime cocktail for crime comics.
“I had kind of glamorized it in my mind,” Blue says of the South. “It was difficult to imagine the heat and the stink of it when I’m in a beautiful Cornish house.”
Blue’s creative environment here in Oregon also aids in her process. She lives and works in a tree-shrouded south Eugene home removed from the road, sharing her space with two cats, two chickens and one guy.
Blue and her husband, Doug, moved to Eugene in September of 2011, after Doug accepted a job here with a sustainability nonprofit.
Blue says, “It’s taken me some time in Eugene to find my feet and be a productive artist.” It’s easy to cut her some slack, though, considering she holds down a day job and teaches art classes at the UO’s EMU Craft Center, all while making time for the creation of her magnum opus.
Blue says she finds Oregon’s overcast weather reminiscent of her beloved Scotland, handy considering it’s the sort of atmosphere she finds artistically invigorating.
“I’m very environmentally based in my decisions,” she explains.
Elizabeth Blue’s online shop is located at etsy.com/shop/elizabethblue. New fans are invited to use the coupon code EWREADERS for free shipping on domestic orders.