If it’s July — and it is — and we’re getting hot — and we are — then, it must be time for pink wines.
Years ago, when Mole and I launched our investigation of pinks, we were both skeptical. I had tasted too many insipid pinks. He took a kinda Italian view: “Pink wines. Why?”
For one, because they’re so pretty, in the glass, in the sun and across the palate.
They come in colors, many colors, from near-transparent to light red and all shades in between. The colors come from the juice’s contact with the skins of (mostly) dark grapes. Styles vary, too, from sparkling (for price/value, try Bo Rivage Brut Rosé @ $10) to still, bone-dry to sweet. Note: There’s nothing wrong with liking sweetness (aka, residual sugar or RS); we enjoy a touch of RS in our rosés, adding a refreshing quality to the drink. Added note: Style varieties also affect food matches, as do the various grapes used in the wine-making. Paler pinks favor cold foods and salads, while richer pinks match up with good ’Q of meats and veggies. Gonna grill? Try Chilean Viu Manent 2014 Rosé of Malbec ($7), light red, spicy, yummy.
So, more:
First, some backstory: Wine has been around for at least a few thousand years, connected to the arts of pleasure, including wine’s peculiar enhancement of food’s flavors (and the reverse). And in places where some people have grown accustomed to wines and good eating — and hot weather — there has developed an affection for light red wines — rosés. By general acclaim, the best rosés are made in the toasty region of southern France called Provence (pronounced pro-vahnce, for those who care). The vignerons of Provence make rosés deliberately; in fact, rosés are probably Provence’s signature wines.
Oh, they make other wines, many quite notable, but their rosies sorta set the world standard among wine-lovers — and they’re priced accordingly (all prices approximate); for example, Chateau D’esclans 2010 “Les Clans” is pale and dry and laden with flavor, ($74), see? Another rosé standard, this a Corbières from Languedoc, consistently excellent, is Domaine de Fontsainte 2014 “Gris de Gris” ($18), a Kermit Lynch selection; if his name appears on front or back of the bottle, buy with confidence.
Close in color, quality and flavors, Tranche Cellars 2014 “Pink Pape” ($17) derives from Walla Walla and Yakima valleys in Washington: very pale, with zippy citrus tang, food-ready acidity. It’s one of those wines that evoke a telling response: “Well, I’ll have just a little more of that.”
From Oregon, we like J. K. Carriere 2014 “Glass,” a “white” pinot noir just a bit pinkish ($23) but forward in pinot flavors. We also like (Cheshire) Bennett’s lovely white pinot noir (taste at Art and the Vineyard, July 3-5). And (Elmira) LaVelle’s 2014 White Pinot Noir ($26) is just delish, pale pink, whisper of RS. For straight pink pinot, try The Eyrie Vineyards 2014 Rosé of Pinot Noir ($20), as pretty a pink as ever went into a bottle.
Many of these wines are imports, but let’s be clear that we cherish many local rosés, especially Capitello’s, J. Scott’s, King Estate, many others. We’ve just exhausted our space. Happy Fourth. Be safe and sane. See ya at Art and the Vineyard.
A Note From the Publisher

Dear Readers,
The last two years have been some of the hardest in Eugene Weekly’s 43 years. There were moments when keeping the paper alive felt uncertain. And yet, here we are — still publishing, still investigating, still showing up every week.
That’s because of you!
Not just because of financial support (though that matters enormously), but because of the emails, notes, conversations, encouragement and ideas you shared along the way. You reminded us why this paper exists and who it’s for.
Listening to readers has always been at the heart of Eugene Weekly. This year, that meant launching our popular weekly Activist Alert column, after many of you told us there was no single, reliable place to find information about rallies, meetings and ways to get involved. You asked. We responded.
We’ve also continued to deepen the coverage that sets Eugene Weekly apart, including our in-depth reporting on local real estate development through Bricks & Mortar — digging into what’s being built, who’s behind it and how those decisions shape our community.
And, of course, we’ve continued to bring you the stories and features many of you depend on: investigations and local government reporting, arts and culture coverage, sudoku and crossword puzzles, Savage Love, and our extensive community events calendar. We feature award-winning stories by University of Oregon student reporters getting real world journalism experience. All free. In print and online.
None of this happens by accident. It happens because readers step up and say: this matters.
As we head into a new year, please consider supporting Eugene Weekly if you’re able. Every dollar helps keep us digging, questioning, celebrating — and yes, occasionally annoying exactly the right people. We consider that a public service.
Thank you for standing with us!

Publisher
Eugene Weekly
P.S. If you’d like to talk about supporting EW, I’d love to hear from you!
jody@eugeneweekly.com
(541) 484-0519