Eugene Weekly

“Deadlock” may have been a weak episode, but “Someone to Watch Over Me” is something for any show to be proud of. It’s nearly flawless, a beauty of acting, writing, editing and, so very importantly, composing (composer Bear McCreary’s three-part, incredibly detailed blog on his part of the experience starts here and is definitely recommended reading). Plus, it’s about Starbuck AND the Chief. What more could you ask for? Continue reading →

The first time through, I hated “Deadlock” — especially coming on the heels of the dense, if awkward, “No Exit,” which offered a ton of information in an awkward plot device. Now, I don’t hate “Deadlock” — except for one particular moment — but I think it’s the season’s weak link. Here, let me tell you why… Continue reading →

And we continue (from the mutiny-centric “The Oath” and “Blood on the Scales”) with the info-heavy “No Exit,” which found me mostly just typing, somewhat frantically, in an attempt to keep up with everything Sam Anders says. It’s important, it’s relevant, “It’s the miracle, right here,” as he says to Saul Tigh. So let’s see what the Cylon says… Continue reading →

As explained in the last post, I’m watching the last season of Battlestar Galactica and blogging it all day. Why? Because it’s awesome. Because I’m making up for not doing this as the season went on. And because the story is even better when you watch it all at once. As noted before, there are spoilers aplenty, and this is not an intro course; it’s running commentary for geeks. I’m treating “The Oath” and “Blood on the Scales” as one story since the mutiny spans both episodes. Continue reading →

THERE WILL BE SPOILERS IN ALL OF THESE POSTS. You’ve been warned. It’s 10 in the morning and I’ve been watching TV for two hours. I can’t resist. Battlestar Galactica ends tonight with a two-hour season finale, but the last season is running all day today. And I’m watching. I can’t wait until the season comes out on DVD to see how the story lines up when it’s all watched at once; this season isn’t fussing with standalone episodes, or short-term storylines. It’s for all the marbles. Continue reading →

The Twitternets is all aflutter this morning about the now-formerly-known-as-Sci-Fi-Channel’s bit of thickheaded rebranding: Continue reading →