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Rachael Carnes has written for Eugene Weekly as well as The Stranger in Seattle, since the mid-nineties. Covering dance, theater, performance art as well as human interest stories, Rachael enjoys meeting new people and seeing their creative process in action. As the founder of a local non profit, Sparkplug Dance, she spent 15 years teaching movement to kids in our community who juggle any number of risk factors, and now dedicates most of her time to supporting Arts Integration in area Middle Schools, through her work with the Educational Policy Improvement Center.
Oregon Contemporary Theatre artistic director Craig Willis recalls hearing a reading of a new play, Dontrell, Who Kissed The Sea, at a 2013 showcase for the National New Play Network (NNPN) he attended in San Diego. “Clearly, this play inspired the most reaction that weekend,” Willis says. “You could tell that there was a special voice behind it.” Continue reading
“I am a physical storyteller,” performer Bill Bowers says. “I am interested in the study of ‘How would you say something if you couldn’t use words?’” Bowers visits Lane Community College this week for a residency that includes a free workshop for the public May 27 and a performance of Bowers’ critically acclaimed Beyond Words May 30. “Words immediately ask us to intellectualize, to interpret, to process information,” Bowers says. “Physical theater asks us to respond more from the heart than from the head.” Continue reading
The UO presents its Student Dance Concert, featuring nine emerging artists, 8 pm, May 7-9, in the Dougherty Dance Theatre, Gerlinger Annex; $5-$10. “Audiences can expect to see a diverse set of dance works that range from the concept of energy flow to an exploration of group relationships,” a UO press release says. Continue reading
“There’s something that just feels right about the Cinderella story,” says Hannah Bontrager, choreographer and executive director of Ballet Fantastique. “This person has a gut feeling, against all odds, that she is meant for something greater,” Bontrager says. “Everyone can relate to that.” Audiences will have an opportunity to see Ballet Fantastique’s new spin on the classic tale when BFan presents Cinderella: A Rock Opera Ballet May 8-10. Set in the 1960s, this Cinderella is anything but stuffy. Continue reading
Theater has long served as fertile ground for new ideas to germinate, with playwrights boldly questioning the status quo and planting the seeds of change. Eugene audiences will have the opportunity to examine two politically charged plays, as the University of Oregon Department of Theatre Arts presents Chantal Bilodeau’s Sila: An Arctic Story and Lane Community College’s Theatre Department performs Tony Kushner’s Angels in America: A Gay Fantasia on National Themes. Continue reading
Sara is unlucky. She has a problem with light bulbs blowing out, leftovers spontaneously combusting and goldfish going belly up before their time. But in the new comedy Lucky Me by Robert Caisley — now playing at Oregon Contemporary Theatre — Sara finds something special because of her supposed faults, not in spite of them. Written in a snappy style reminiscent of Kaufman and Hart, Caisley populates Sara’s leaky apartment with a cast of genuine and lovable misfits. Continue reading
“We’re sort of a road-hardened, long-running, tight theater ensemble,” says Hand2Mouth Theatre’s artistic director Jonathan Walters. “Our shows are sophisticated, structured and incredibly interactive.” Founded in 2000, Portland-based Hand2Mouth sails into town for one-night-only, Sunday, April 19, at Oregon Contemporary Theatre. Continue reading
“I like new contemporary work that will push me to the next level,” says D.C.-based Washington Ballet’s Jared Nelson, who was in town last fall to set a demanding new dance on the Eugene Ballet Company. Nelson’s handiwork, the Eugene premiere of Washington Ballet artistic director Septime Webre’s pulsating “Fluctuating Hemlines,” will serve as the performance opener when the 15-member Eugene Ballet Company performs it, along with Tommy The Ballet, April 11 and 12. Continue reading
Spring blasts off with Quixotic Fusion’s Gravity of Center tour, whose performance culminates the city of Eugene’s two-day (sub)Urban Projections digital art and media festival. Hailing from Kansas City, the brainchild of percussionist and artist Anthony Magliano and theatrical designer Mica Thomas (who studied at Southern Oregon University in Ashland), Quixotic combines movement, music, digital art and aerial athleticism to create cutting-edge new work. Continue reading
The year is 1928, the last gasp of the good times before the crash of the Great Depression. Fringe is flying, bathtub gin is flowing and Queenie and her man Burrs are in a bad romance. Continue reading