
The UO presents its Student Dance Concert, featuring nine emerging artists, 8 pm, May 7-9, in the Dougherty Dance Theatre, Gerlinger Annex; $5-$10. “Audiences can expect to see a diverse set of dance works that range from the concept of energy flow to an exploration of group relationships,” a UO press release says.
Also presenting their student dance concert, LCC offers The Works Student Dance Concert, which provides a venue for budding choreographers “to explore their creativity and share their artistic visions.” We’re especially intrigued to see a duet between Jessica Ealy and her horse, Faith. The concert runs 7:30 pm, May 14-16, at LCC’s Ragozzino Performance Hall; $5.
Oregon Ballet Academy presents its Spring Concert May 17 (at 2 pm and at 6 pm) showcasing OBA’s dance program for performers ages 3-18. The performance features the school’s classical ballet, tap, jazz, hip-hop, improvisation and composition classes. OBA is often recognized for the renowned boys program it has developed over the years, and this concert highlights 25 of those stellar dancing boys in OBA artistic director John Grensback’s Robin Hood. Tickets at oregonballetacademy.com; $12-$15.
All That! Dance Company hosts its annual “Overcome” event May 30. “Each year the concert is dedicated to an individual who embraces the spirit of overcoming adversity. This year, the event will honor Eularee Smith, executive director of the local nonprofit organization Upstart Crow Studios, says Sarah Beth Byrum, the artistic director for All That! “Eularee has not only given tirelessly to create opportunities for underserved children to receive performing arts education, but was recently diagnosed with Stage IIIC uterine cancer,” Byrum explains. “She is currently undergoing extensive chemotherapy treatment while continuing to teach and direct youth music and theatre classes. She is truly an example of the spirit of overcoming any obstacles life may present.” This benefit concert will be held at 7 pm, May 30, at the Wildish Community Theater; $15, tickets at wildishtheater.com.
And finally, the Eugene Ballet Academy presents Under/Into/Over/Beyond: A Dancer’s Journey choreographed by Eugene Ballet Academy faculty, with a program including repertory and original works from classical, modern and jazz repertoires. “This final production brings together the youngest and the most advanced students, ages 3-20, which allows an inspiring presentation of the dedication, commitment and accomplishment of the students, staff and parents,” the Eugene Ballet Academy writes. Catch the performance 5 pm, May 31, at the Hult Center; $13-$15.
A Note From the Publisher

Dear Readers,
The last two years have been some of the hardest in Eugene Weekly’s 43 years. There were moments when keeping the paper alive felt uncertain. And yet, here we are — still publishing, still investigating, still showing up every week.
That’s because of you!
Not just because of financial support (though that matters enormously), but because of the emails, notes, conversations, encouragement and ideas you shared along the way. You reminded us why this paper exists and who it’s for.
Listening to readers has always been at the heart of Eugene Weekly. This year, that meant launching our popular weekly Activist Alert column, after many of you told us there was no single, reliable place to find information about rallies, meetings and ways to get involved. You asked. We responded.
We’ve also continued to deepen the coverage that sets Eugene Weekly apart, including our in-depth reporting on local real estate development through Bricks & Mortar — digging into what’s being built, who’s behind it and how those decisions shape our community.
And, of course, we’ve continued to bring you the stories and features many of you depend on: investigations and local government reporting, arts and culture coverage, sudoku and crossword puzzles, Savage Love, and our extensive community events calendar. We feature award-winning stories by University of Oregon student reporters getting real world journalism experience. All free. In print and online.
None of this happens by accident. It happens because readers step up and say: this matters.
As we head into a new year, please consider supporting Eugene Weekly if you’re able. Every dollar helps keep us digging, questioning, celebrating — and yes, occasionally annoying exactly the right people. We consider that a public service.
Thank you for standing with us!

Publisher
Eugene Weekly
P.S. If you’d like to talk about supporting EW, I’d love to hear from you!
jody@eugeneweekly.com
(541) 484-0519