Eugene Weekly

The now Nashville-based folk musician Mare Wakefield, along with her husband and musical collaborator Nomad, has had a pretty good year.  “We were finalists in two songwriting competitions at two pretty big high-profile folk festivals,” Wakefield tells EW. But what really excited Wakefield was the opportunity to meet folk-music icon and personal hero Judy Collins at Falcon Ridge Folk Festival in New York.  Continue reading →

Los Angeles band Period Bomb is an anarcho-feminist project recalling protest punk like Bikini Kill and straightforward, curled-upper-lip rock ‘n’ roll like The Runaways.  Period Bomb’s “Get Out Of My Life Creep” is a simple kiss-off to a boorish, controlling lover. The song features vocalist Cami Miami’s supple, Siouxsie Sioux voice moving over tightly wound power chords. Continue reading →

California-based progressive bluegrass group Front Country has a new connection to Eugene. “Our fiddle player [Leif Karlstrom] just moved up here,” guitarist Jacob Groopman tells EW. “I always like coming to Eugene. It’s a nice town.” Front Country is touring in support of 2014’s Sake of the Sound. The record features mandolin, fiddle and the hymnal quality of vocalist Melody Walker. The resulting sound recalls the chamber folk and bluegrass of Chris Thile and Punch Brothers. Continue reading →

Sister Sparrow and The Dirty Birds are a seven-piece “hard-soul” band based out of New York. Sister Sparrow vocalist Arleigh Kincheloe calls her band’s sound “high energy — very much meant to make you get up and dance and have a good time.”  The group comes to Eugene supporting its 2015 release The Weather Below, out now on Party Fowl Records. The record has a strutting, take-no-prisoners confidence.  Continue reading →

More than four decades into her career, Marcia Ball is a living blues legend as well as a popular fixture on blues-hungry Eugene stages. But last year, Ball missed her chance to promote her latest release, The Tattooed Lady and The Alligator Man, in our valley. “We were scheduled last fall,” Ball tells EW, “and then I had a fall. I had to miss the gig — a rare occurrence,” adding in a thick Southern accent: “I didn’t get to play my songs for you so I’m coming back to do it!” Continue reading →

Familiar things are sometimes best interpreted by strangers. International musician Monk Parker knows this better than anyone. Splitting his time between the states and the U.K., Parker’s music is influenced by his English mother — an avant-garde, minimalist sculptor — and his more traditional American father.  Continue reading →

Gentrification: a word spoken in hushed and frightened tones, as though it’s the black plague, a zombie virus or artisanal ice cubes.  Five years ago, Berlin-based interdisciplinary artist Danielle de Picciotto decided to do something about Berlin’s gentrification, skyrocketing rents and creeping homogeneity.  Continue reading →