Eugene Weekly

Electronic dance music is hotter than ever, nowhere more so than in Eugene. “Eugene has been an incredibly supportive place for our band to really thrive and to develop our own unique sound,” says Nathan Asman, who alongside guitarist Keith Randel and drummer Travis Lien makes up the Eugene-based livetronica act Hamilton Beach.  “The livetronic-EDM [electronic dance music] scene is very strong and nurturing here,” Asman says, “and there’s no way we would be where we are as a band without the music scene here.”  Continue reading →

Originally out of Austin, Texas, the now The Dalles-based musician Ben Ballinger says if he had to pick another artist’s song to introduce himself it would be Frank Sinatra’s “My Way.” The song’s words and melancholy tone, alongside a fierce determination, resonate with him, he says. Continue reading →

Don’t hate Alexander Cardinale because he has it dialed in. The songwriter, who also sometimes goes by Xander, is coming off a tour with Melissa Etheridge. Cardinale says the exposure afforded him by touring with an established artist like Etheridge was intoxicating. “It’s a performers dream to get to take over a huge stage and have use of full expression,” Cardinale tells EW. “Literally, your expressions get bigger; your performance in general gets bigger; thus your energy is higher, you’re jumping around; the audience is on their feet. I love that.”  Continue reading →

In 1929, surrealist painter René Magritte scrawled under his painting of a pipe, “Ceci n’est pas une pipe” (“This is not a pipe”), in his famously enigmatic painting The Treachery of Images. Continue reading →

San Diego punk band Drug Control evokes the glory days of So Cal bands like Black Flag and Circle Jerks. “We take influences from older East and West coast bands and blend them into our style,” says vocalist Danny Lyerla.  And Drug Control’s 2014 debut demo is quintessential American hardcore: short, pummeling, unrelentingly aggressive and athletically angry. With song titles like “Enough is Enough,” “Fried” and “About To Snap,” the record seeps with the revolutionary nihilism hardcore music is known for.   Continue reading →

The concept behind 2013’s The Clear Blue Pearl from Portland band Morning Ritual sounds more like a sci-fi-fantasy movie than a pop record, complete with a devastating drought, an epic journey and a mysterious “blue pearl.”  Continue reading →

“KMRIA stands for: Kiss My Royal Irish Ass,” says Casey Neill of Portland-based Pogues tribute band KMRIA. “The reference is from James Joyce’s Ulysses,” Neill says, explaining KMRIA is also referenced in Pogues’ song “Transmetropolitan.”  Continue reading →

“We have some great friends from Eugene,” says Sam Owens of Brooklyn-based indie-rock trio Celestial Shore. “All of them are wonderful people and talented musicians. There must be something in the water.” Last spring Celestial Shore opened for indie-rock critical darlings Deerhoof. Now Celestial Shore are coming to Eugene in support of 2014’s Enter Ghost, a collection of guitar-centric indie rock blending the sweet, British-invasion flower power of The Zombies with the taut aggressiveness of ’90s bands like The Pixies.  Continue reading →

Award-winning British human machine, or rather the musician and beatboxer known as THePETEBOX, is touring the U.S. for the first time, producing sounds and rhythms using only his mouth, lips, tongue and voice.  “It’s important for people to understand the process,” PETEBOX tells EW. YouTube is full of clips from the musician, but PETEBOX feels beatboxing is best experienced live. “There’s some detachment from the process on record,” he says. Continue reading →