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For all their deceptive genre fluidity, technical finesse and narrative bankability, the Coen brothers remain among our finest filmmakers, capable of straddling that razor’s edge … Continue reading
Within the first few minutes of Widows, a heist goes terribly awry. You’ll see this coming. It isn’t the job that you’re here to see, … Continue reading
I believe about all art what Kafka said about books — that it should “wound or stab us,” that a work of art must chop … Continue reading
Eugene Weekly writers, and horror lovers, Rick Levin and Meerah Powell discuss the scariest shows and movies to check out this season. From monster movies to psychological thrill rides, we’ve got it all.
2017 churned out some great horror movies — Get Out and the remake of It, to name two — but 2018 is in no way … Continue reading
What, really, is this thing we call a Western? Outwardly, it’s a movie with horses and six-shooters and cacti and grizzled men and whiskey and … Continue reading
Bad Times at the El Royale is the multi-talented Drew Goddard’s first film as a director since 2012’s horror delight The Cabin in the Woods … Continue reading
It is always sunny in Colette. Wash Westmoreland’s new biopic of the early years of the French author exists in the kind of period-piece world … Continue reading
Global in scope, holistic in approach and deeply humane in its engagement with our imperiled planet, the Eugene Environmental Film Festival kicks off its inaugural … Continue reading
Assassination Nation, writer-director Sam Levinson’s bloody, messy commentary on our outrage-fatigued era, can’t commit. The story of four teen girls vilified by the mostly white-male … Continue reading