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“Not all opinions are equal.” This statement, tucked into Denial with little fanfare, forms the meat of the film’s focus. A sturdy yet affecting courtroom … Continue reading
Local writer and filmmaker Henry Weintraub suspects that the horror genre has come to a dead end. “Modern horror movies don’t really capture me too … Continue reading
Denial Of all the things in this world to be in denial of, the Holocaust is perhaps the most odious. The British-American film Denial is … Continue reading
The Birth of a Nation: Director Nate Parker purposely reclaims the title of perhaps the most racist film of all time, D.W. Griffith’s The Birth … Continue reading
Movies about being a teenager have come a long way since I was a teen. (Let’s not talk about exactly how long it’s been.) The last few decades of teen storytelling have their charms, from John Hughes to 10 Things I Hate About You, but many teen movies have looked outward in a way that doesn’t always feel true to adolescent life, when the mess of things going on inside is as distracting, or maybe all-consuming, as school and friends and mean girls and attraction. Continue reading
Of all the literary devices used to grant a physical wallop to a character’s metaphysical situation, I suppose making a pathological narcissist blind isn’t the worst. I mean, it ain’t Ahab’s missing leg or the impotence of Jake Barnes, but what the hell? It works, in a slight to middling way. Continue reading
Ron Howard has said that he hoped to make Eight Days a Week both for dedicated Beatles fans and for a younger generation that has little sense of who The Beatles were. I’m not sure where this leaves me, as I’m neither a millennial nor a Beatles diehard, but a person who appreciates a good music documentary. And Eight Days is fine — a solid mix of archival footage, new interviews with Paul McCartney and Ringo Starr, crowd-sourced footage and reminiscences from musicians or now-famous people who once saw The Beatles. Continue reading
As the riotous ’60s bled into the scabby ’70s, a lot of people in this country found themselves asking what happened to the American Dream, and movies from that era reflected this swooning miasma. In film after great film, directors like Martin Scorsese, Sam Peckinpah and Robert Altman, to name just a few, tapped into our growing sense that something had gone seriously, desperately wrong — that the great social experiment of democracy and prosperity had finally begun rotting from the inside out. Continue reading
Don’t Think Twice, Mike Birbiglia’s second feature (following Sleepwalk With Me), starts with the rules of improv comedy. One of the rules: It’s all about the group. If you break that rule, everything falls apart. Even — or especially — if you break it by attaining the success every member wants. Continue reading
It goes without saying that horror, strictly speaking, is not among cinema’s most expansive genres. Most times, it’s as conservative and formulaic as porn, and its requisite elements are as familiar as a bowl of chicken noodle soup. Continue reading