Coffeehouse Folk Fairytale

If you’re a sensitive artsy type who swoons over emotional prowess in music, then Laura Marling, a musical folk fairy, is right up your alley.  Marling began her career at 16 after gaining a large following on MySpace (ah, the good ’ole days) and her popularity continued when she joined hipster heartthrob band Noah and the Whale in 2006. She took her music in a different direction after splitting with both Noah and the whale by 2008. Five albums later, Marling is kicking folk ass with her solo career.  Continue reading 

Shake Your Moni Maker

Mick Dagger, vocalist and guitarist with Eugene band Dick Dägger, says one of the best places in town to hear live music is in the john at a house across the street from Taco Bell. The house in question is the Ant House, a longstanding and popular location for basement shows in Eugene.  “There’s a vent behind the toilet,” Dagger says. “If you stuck an audio recorder right there, you could start doing live podcasts.” Continue reading 

Painting Pop In Psychedelic Colors

In an alternate universe, the album Painting With, which dropped in February, might have been Animal Collective’s pop breakthrough. But because the world is backwards and topsy-turvy, the album that broke through was 2009’s Merriweather Post Pavilion, a synth-slathered fantasia that sounds like harsh noise next to Painting With. Before it was released, nobody expected the Baltimore psych-pop band would ever play the actual Merriweather Post Pavilion, a Maryland mega-venue that typically hosts bands like Green Day and The Who. Continue reading 

Old Ways, New Sounds

Edna Vazquez

Edna Vazquez

The music of Edna Vazquez can send shivers to your soul. When Vasquez performs, she closes her eyes and each of her facial muscles crinkles with concentration. She whistles and taps on her guitar’s body with an intimate familiarity, and when she opens her mouth to sing or speak, it’s a bellow straight from her heart. “I want to share something with everyone,” she says. “Whatever you do that is in a form to ease our hardcore journeys as humans, bring it out.”   Continue reading 

Return of the King

After five years in Brooklyn, Eugene-born musician Justin King has come home. “All my oldest friends and family are here,” King explains. “It’s really where my roots are,” he continues. “Brooklyn was getting even more overrun and expensive and crazier and crazier. I wanted to come back and focus on my own music.” Since being back in town, King’s band King Radio has released a four-song EP, Adaline, available now on SoundCloud.  Continue reading 

New Young Romantics

Sheffield, England’s The Crookes

The Crookes

If you’re anything like me, and I know many of you are, you grew up on a lot of ’80s and ’90s-era British guitar pop. Why? In my case, Brit bands seemed allowed a larger breadth of sensitivity and intelligence than their constantly macho Yankee colleagues. And, of course, there are those accents: romantic, working class, exotic and endlessly cool. Has the sound aged? Certainly. But in the end, haven’t we all? Continue reading 

Do the Twist

The Shedd’s production of Broadway musical Oliver! has us asking for more

Dina Gilbert

Before Elton John, Duncan Sheik and Green Day created original stage scores, before all those jukebox musicals featuring songs by Abba, Four Seasons, Carole King and more, even before Rent, Grease, Hair and Jesus Christ Superstar, there was Lionel Bart — a pop songwriter who never learned to read or write music and yet composed some of Britain’s biggest pop hits of the 1950s for Cliff Richard and other stars. Continue reading