Eugene Weekly

“I want to say that no artist has mentioned Eugene, Oregon, more in songs,” Eugene-born folk-rock artist Mat Kearney tells EW.  For example, the lyrics to “One Black Sheep,” from his latest release, begin with a reference that only Eugene fans could appreciate: “I was born a love child of the seventies/ Touched down at Sacred Heart … In the city of hippies and angel dust.”  Continue reading →

What does one do after breaking up a successful and influential band? If you’re Christopher Hall of The Dreaming, you start again, but this time as a supergroup. In the late ’90s, Hall’s previous project, Stabbing Westward, took modern-rock radio by storm with singles “Shame” and “Save Yourself” before calling it quits in 2002. Unwilling to remain idle, Hall and drummer Johnny Haro formed The Dreaming later that year.  Continue reading →

New York musician Marco Benevento recorded his 2014 release Swift about as far away from the big city as possible: Cottage Grove.  Renowned producer and musician Richard Swift (The Shins, Foxygen) lives in Cottage Grove. Swift consistently supported Benevento’s shows at local venue the Axe & Fiddle. When Benevento heard Swift’s production work on Foxygen’s We Are The 21st Century Ambassadors of Peace and Magic (also recorded in Cottage Grove), he knew he wanted to work with him. Continue reading →

There’s nothing boring about ARCO-PDX, the Northwest classical music veterans who bring classical music into the 21st century by performing in venues where you can order a beer and not worry about clapping or chatting at the “wrong” moment. The group employs rock-show amplification and lighting effects, and the players memorize their repertoire — the better to connect with audiences instead of hiding behind music stands. Continue reading →

Mike Doherty, bassist for Portland indie-rock outfit Future Historians, says what initially brought the band together was the songwriting of leader and primary songwriter Dave Shur.  “It’s Dave’s project,” Doherty says. “He writes about a lot of small things,” adding that Future Historians started as a “folk-rock thing but morphed into something more eclectic.”  Continue reading →

It’s a shame Franco-American jazz singer Cyrille Aimée didn’t come through Eugene a little closer to Valentine’s Day, because her romantic brand of adorable and sugary jazz would be a perfect gift for that special someone.  Aimée shares a resume on par with Edith Piaf. As a child, she was enchanted with gypsy jazz, going on to perform on the streets of Europe. She was an undiscovered diamond in the rough until appearing on Star Academy, the French equivalent of American Idol.   Continue reading →

Music has led Kevin Morby from Kansas City to New York and now Los Angeles: center, east and west. However, if Morby’s influenced by any one place over another, it’s New York — particularly the era when the Big Apple’s folk scene began to morph into early punk rock; the city of Bob Dylan, Lou Reed, Patti Smith and Television.  “It’s the most important time in music,” Morby tells EW, “but also just the coolest.” Morby says that the song “Miles, Miles, Miles” from his solo debut, Harlem River, captures the sound of his influences most clearly.  Continue reading →