
On Sunday night, the McDonald Theatre was filled with a swaying crowd and the ambient music of Tycho – the four-piece San Francisco band who favors blissful synths and sunset gradients.
Tycho is producer Scott Hansen, along with Zac Brown (bass) — who bears no relation to the country singer — and Rory O’Connor (drums). Although Hansen released his first EP back in 2002, Tycho is most known for 2011 album Dive and 2014 album Awake, which spurred performances on the music festival circuit last year. Eugene was the first stop on the group’s spring 2015 tour.
Electronic musician SHIGETO, a fellow Ghostly International act, opened the show. By the time Tycho started a little past 9 pm, both levels of the McDonald were nearly filled with people, despite Monday being the start of finals for students.
After the first song, Tycho received an explosive applause that matched more of what I imagine the McDonald’s recent J. Cole concert received than I would have expected for the laidback nature of Tycho. But as the set progressed, the band supplemented dreamy synth vibes with catchy bass riffs that rounded out the ambient sound. Seeing Tycho in concert effectively convinced me that they’re an act that’s worth going to see, not just to accompany study sessions or to fall asleep to.
The band has become famous for their aesthetically pleasing stripped down album art, which features a circle with a gradient of colors present in a sunset. The onstage backdrop was evocative of this same aesthetic, features kaleidoscope images of the same colors mixed with montage video footage of indie girls, the sky and sand.
Tycho succeeded in providing a stimulating experience, bringing their music from people’s bedrooms to the stage.
A Note From the Publisher

Dear Readers,
The last two years have been some of the hardest in Eugene Weekly’s 43 years. There were moments when keeping the paper alive felt uncertain. And yet, here we are — still publishing, still investigating, still showing up every week.
That’s because of you!
Not just because of financial support (though that matters enormously), but because of the emails, notes, conversations, encouragement and ideas you shared along the way. You reminded us why this paper exists and who it’s for.
Listening to readers has always been at the heart of Eugene Weekly. This year, that meant launching our popular weekly Activist Alert column, after many of you told us there was no single, reliable place to find information about rallies, meetings and ways to get involved. You asked. We responded.
We’ve also continued to deepen the coverage that sets Eugene Weekly apart, including our in-depth reporting on local real estate development through Bricks & Mortar — digging into what’s being built, who’s behind it and how those decisions shape our community.
And, of course, we’ve continued to bring you the stories and features many of you depend on: investigations and local government reporting, arts and culture coverage, sudoku and crossword puzzles, Savage Love, and our extensive community events calendar. We feature award-winning stories by University of Oregon student reporters getting real world journalism experience. All free. In print and online.
None of this happens by accident. It happens because readers step up and say: this matters.
As we head into a new year, please consider supporting Eugene Weekly if you’re able. Every dollar helps keep us digging, questioning, celebrating — and yes, occasionally annoying exactly the right people. We consider that a public service.
Thank you for standing with us!

Publisher
Eugene Weekly
P.S. If you’d like to talk about supporting EW, I’d love to hear from you!
jody@eugeneweekly.com
(541) 484-0519