Eugene Weekly

You know how your head always starts bobbing and your toes start tapping whenever you hear that certain song? Maybe it’s a Buddy Holly, Jerry Lee Lewis or Chuck Berry tune. Whatever it is, it makes you want to move. Daddy Rabbit falls into this category.  Songwriter Robert Jacobs also writes catchy, poppy love songs with local band Long Tall and Ugly and folky roots music for Crooked River, but Daddy Rabbit gets him to the source of his love for music. Continue reading →

Gypsy acts are known for their rowdiness; their raw, cigarette-smoky, patched-clothing, dented-brass impurities. Above all, gypsy acts are known for their stage presence. Seattle-born folker Jason Webley is no different. Continue reading →

The concept behind 2013’s The Clear Blue Pearl from Portland band Morning Ritual sounds more like a sci-fi-fantasy movie than a pop record, complete with a devastating drought, an epic journey and a mysterious “blue pearl.”  Continue reading →

New Year’s Eve has always been my least favorite holiday, with the commercially contrived Valentine’s Day a close second. Instead of celebrating gratitude or sacrifice or renewal or even zombies, it’s become pretty much an excuse to go out and get hammered and maybe ruin someone else’s life by driving intoxicated for a nightcap. Continue reading →

There are a lot of captivating things about Kathryn Claire. She’s a classically trained violinist (picking it up at age 7), a self-taught guitarist, and she teaches songwriting to kids. But most captivating and surprising is when she opens her mouth to share her deep, emotive voice. A trained vocalist since age 14, Claire (pictured) is no stranger to the emotional range a female voice can hold — she lists Ani DiFranco, Indigo Girls and Joni Mitchell as influences.  Continue reading →

Band names don’t usually refer to the art of songwriting itself, but that’s exactly what Hook & Anchor does. “It kind of refers to the things a good song needs,” says Kati Claborn, singer and guitarist for the band (she also plays banjo and uke). Continue reading →

“KMRIA stands for: Kiss My Royal Irish Ass,” says Casey Neill of Portland-based Pogues tribute band KMRIA. “The reference is from James Joyce’s Ulysses,” Neill says, explaining KMRIA is also referenced in Pogues’ song “Transmetropolitan.”  Continue reading →

Though Wikipedia deems Portland-based acoustic five-piece Horse Feathers “indie folk,” frontman Justin Ringle is less sure. “I don’t even look at it as folk or neo-folk, necessarily,” Ringle tells EW.  Continue reading →