Eugene Weekly

“But what really matters is not what you believe but the faith and conviction with which you believe,” wrote the great Norwegian authur Knut Hamsun in his novel Mysteries. Hamsun — who, unfortunately, ended up believing some pretty vile stuff — nonetheless may have been forecasting the astral projections of fellow countrywoman Martine Kraft, the virtuoso violinist and songwriter whose ethereal sounds will provide a swan song for final staging at Mount Pisgah of the Faerieworlds festival this weekend. Continue reading →

With all the middle-of-the-road county fair and casino appearances Pat Benatar makes, it’s hard to remember just how edgy this four-time Grammy winner once was.  In the days of leg warmers and smoke machines, Benatar jazzercised her way through a string of early MTV mega-anthems including “Love is a Battlefield,” “Hit Me With Your Best Shot,” “We Belong” and “Invincible.”  Continue reading →

Vince Staples, who recently signed to Def Jam Records, released Shyne Coldchain Vol. 2 in March 2014 —the fourth mixtape he’s dropped since 2011.  Continue reading →

If all you know of Soul Asylum is a touching little torch song called “Runaway Train,” listen up: Long before that unexpected hit was released in 1992, Soul Asylum had achieved a rare kind of cult status among fans of guitar-heavy alt-rock — a status founded largely on the soulful songwriting and indubitable white-boy groove of frontman Dave Pirner.  Continue reading →

Like something from your grandma’s collection of 45s, “10-gallon funnyman” Sourdough Slim harkens back to the days of the singin’, yodelin’, joke-tellin’ cowboy. You might be asking yourself: Is the world really waiting for a revival of the Burl Ives, Will Rogers and Gene Autry sound? The answer is: Probably not. But like a dusty little gem found in a secondhand shop, Slim (né Rick Crowder) shows that you didn’t know what you were missing the first time around. “My true calling as a cowboy was not on the range but, rather, on the stage,” Slim says on his website. Continue reading →

Unlike previous efforts, Mike Last feels The Stagger and Sway’s latest release, Fun and Games, is a rock ‘n’ roll record — a sound the quartet has moved toward since adding Brian Schierenbeck on lead guitar.  “Brian played our last CD-release show,” says Last, Stagger and Sway’s vocalist, rhythm guitarist and primary songwriter. “But he wasn’t on the record.” Last says Fun and Games has “a little more grit to it — a little more teeth. It’s more of a band record.”  Continue reading →

“We love Eugene,” says Ashley Edwards, vocalist and songwriter for Durango, Colorado-based Hello Dollface. “The vibrancy, the grit, the consciousness, the food.” The band’s bass player, Jesse Ogle, attended the UO, Edwards says, and this time ’round through Eugene, Hello Dollface’s “heart-quenching desert vagabond soul” will be backed up onstage by some local players: Ben Scharf, Matt Calkins and Brad Erichsen of local jazz-funk group Eleven Eyes. Continue reading →

This time each year, Eugene respectfully steps back and offers the stage to the Oregon Bach Festival. And no wonder: The 44-year-old classical music institution abounds with so many attractive performances, workshops, lectures and other events that we couldn’t even begin to cover them all in last week’s issue. Here’s a rundown of some remaining top recommendations.   Jonathan Manson, Cello Continue reading →