Eugene Weekly

A major attraction of the Oregon Festival of American Music’s two-year exploration of the so-called American songbook in Hollywood is rediscovering the original incarnations of stories most of us remember only from the later movies they inspired. The 1949 Jule Styne-Leo Robin musical, based on Anita Loos’ theatrical adaptation of her Jazz-Age comic novel Gentlemen Prefer Blondes (running Aug. 1-10), is perhaps best known from the 1953 film, which helped make stars out of pneumatic gal-pal leads Marilyn Monroe and Jane Russell. Continue reading →

Miranda Lambert is one of country music’s top female artists, but she has a gutsy-ness and grittiness that many women in country lack. She’s got sass and strength as well as suffering and insecurities, and isn’t afraid to reveal any of it in her lyrics. Lambert, who is performing at Sweet Home’s Oregon Jamboree, just released her fifth album, Platinum. She also just turned 30, and along with that milestone came self-scrutiny and pangs of aging. Continue reading →

If you’re pestered by indecision — vanilla or chocolate, Beatles or Rolling Stones — rest assured that when it comes to Rod Stewart and Carlos Santana, you won’t have to choose. Stewart, “The Voice,” and Santana, “The Guitar,” reunite in an exclusive North American tour that hits Matthew Knight Arena July 31. Continue reading →

“But what really matters is not what you believe but the faith and conviction with which you believe,” wrote the great Norwegian authur Knut Hamsun in his novel Mysteries. Hamsun — who, unfortunately, ended up believing some pretty vile stuff — nonetheless may have been forecasting the astral projections of fellow countrywoman Martine Kraft, the virtuoso violinist and songwriter whose ethereal sounds will provide a swan song for final staging at Mount Pisgah of the Faerieworlds festival this weekend. Continue reading →

With all the middle-of-the-road county fair and casino appearances Pat Benatar makes, it’s hard to remember just how edgy this four-time Grammy winner once was.  In the days of leg warmers and smoke machines, Benatar jazzercised her way through a string of early MTV mega-anthems including “Love is a Battlefield,” “Hit Me With Your Best Shot,” “We Belong” and “Invincible.”  Continue reading →

Vince Staples, who recently signed to Def Jam Records, released Shyne Coldchain Vol. 2 in March 2014 —the fourth mixtape he’s dropped since 2011.  Continue reading →

If all you know of Soul Asylum is a touching little torch song called “Runaway Train,” listen up: Long before that unexpected hit was released in 1992, Soul Asylum had achieved a rare kind of cult status among fans of guitar-heavy alt-rock — a status founded largely on the soulful songwriting and indubitable white-boy groove of frontman Dave Pirner.  Continue reading →

Like something from your grandma’s collection of 45s, “10-gallon funnyman” Sourdough Slim harkens back to the days of the singin’, yodelin’, joke-tellin’ cowboy. You might be asking yourself: Is the world really waiting for a revival of the Burl Ives, Will Rogers and Gene Autry sound? The answer is: Probably not. But like a dusty little gem found in a secondhand shop, Slim (né Rick Crowder) shows that you didn’t know what you were missing the first time around. “My true calling as a cowboy was not on the range but, rather, on the stage,” Slim says on his website. Continue reading →