Eugene Weekly

Danny Schmidt and Carrie Elkin are both solo singer-songwriters. They also happen to be in a relationship, but don’t always have time together since they have separate projects. For now, however, the songbird couple has discovered a solution to this problem. “We were touring so much, individually, that we never got the chance to see one another,” says Schmidt. “So we decided to try touring together in a song-swap format, adding harmonies to each other’s songs, and good-natured ribbing in between songs.” Continue reading →

The Jan. 16 Eugene Symphony concert at the Hult Center opens with some of the 20th century’s most powerfully dramatic music: the “Four Sea Interludes” from Benjamin Britten’s mighty opera Peter Grimes. This performance of one of the greatest English composers’ most popular concert works misses by just a few days cashing in on Britten’s centenary celebrations, but we don’t need no stinkin’ birthday excuse to enjoy his music. Continue reading →

“I don’t think most of my songs sound that much like Beach House,” says Meagan Grandall, primary songwriter of Seattle-based duo Lemolo. “But if they do to some people,” she adds, “then I’ll take that as a compliment.”  Continue reading →

Nowadays fans get itchy for new material if a band hasn’t released anything in three and a half months, so the fact that Floater hasn’t released any new material in three and a half years (2010’s Wake) is saying something. Of course when you’ve been around for two decades, you can get away with it, but that’s not to say the band is making people wait on purpose; the timing just hasn’t been right. Continue reading →

Chain and The Gang is an “anti-liberty” group, jokes Ian Svenonius. This doesn’t mean Svenonius takes personal freedom lightly. “We’re a little bit perverse,” says Svenonius, formerly of legendary D.C. punk bands Nation of Ulysses and The Make-Up. “We’re not interested in playing out this one idea of prescribed rebellion.”  Continue reading →

Hailing from Fullerton, Calif., power-pop quartet Audacity is loud, brash and melodic, known for break-neck live shows and a tireless tour schedule. In 2013, Audacity released its third studio album, the Weezer-esque Butter Knife. Continue reading →