Home is Where the Hate Is

Oregon Contemporary Theatre explores racism and real estate in Clybourne Park

Hillary Ferguson, Jason Rowe, Jonathan Thompson and Donella-Elizabeth Alston in Clybourne Park

A witty, often biting examination of neighborhood integration, white flight, gentrification and just how far we have not come in the last half century, Clybourne Park is playwright Bruce Norris’ 21st-century response to Lorraine Hansberry’s A Raisin in the Sun, in which a black family plans to move into a white neighborhood. Norris’ play, now at Oregon Contemporary Theatre, takes Hansberry’s tale of balancing assimilation and heritage full circle as white professionals return with grand plans to the neighborhoods their grandparents fled. Continue reading 

Preserving the Underground

Eugene Underground Music Archive collects the past and builds for the future

“I was born in 1984,” says Nicole Anne Colbath. “For me that Clash show wasn’t gonna happen.” Colbath is referring to the legendary British punk band’s early ’80s concert at the UO’s McArthur Court. A flyer for that show is now safely housed by the Eugene Underground Music Archive, a nonprofit organization “dedicated to the collection of flyers and ephemera,” filed with 3,000 other Eugene-area concert flyers mostly from the late ’70s through the ’90s. “It is sort of nostalgia,” Colbath adds. “I get bummed about shows I missed.” Continue reading 

Runway Reflections

What can I say about the fashion scene in Eugene? It's slowly but surely growing up. Last Sunday night, the Jordan Schnitzer Museum of Art hosted St. Vinnie's Metamorphose Upcycling Design challenge: 10 local designers on a $40 material budget to be spent at St Vincent de Paul were tasked to create three runway-ready looks in the categories of Ready-to-Wear, Evening Wear and Designer’s Choice. Continue reading 

Esther the Lionhearted and Twinkle-Toed

Ballet Fantastique’s rock gospel ballet goes biblical

Ballet Fantastique company dancer Leanne Mizzoni as Esther

A local mother-daughter team is pushing the limits of ballet by finding inspiration in the most unlikely of places. For The Book of Esther, Ballet Fantastique’s Donna Bontrager and her daughter Hannah Bontrager go way, way back — to approximately 486 BC — for the finale of their 2013-2014 season. What better way to end the company’s “New Legends” series than with a story from one of the oldest existing works of literature: The Old Testament? Continue reading