Arts Hound

• The Arts & Business Alliance of Eugene hosts Arts After Hours, a schmoozing event for the arts and business communities, 5 to 7 pm Thursday, April 18, at the Lord/Leebrick Playhouse, 174 W. Broadway; $8-$10 members; $15-$20 non-members. • Thanks to the McDonald Theatre and the UO Outdoor Program, it’s time for the Banff Mountain Film Festival at 7 pm Thursday, April 18, reminding you once again to get off your couch and into the outdoors, or at least into a plush theater seat; $11-$13. Continue reading 

At the End of Imagination

As my old Seattle friend Big Gay Bob once told me years ago over gin fizzes: “Honey, nobody has more fun than the gays.” It’s true: Not only do gay people tend to earn more, dress better and screw more often than straight folk, but they really do know how to cut a rug, if you know what I mean. I’d even take this one step further and argue that were it not for the gays, this would be one bleak, narrow existence.  Continue reading 

Admen in Pinochet’s Chile

It’s finally getting a little easier to look at Gael García Bernal and not see the young man from Y Tu Mamá También. García Bernal has hardly seemed to age since that 2002 film, but as René Saavedra, in the Oscar-nominated Chilean film No, he has a scrappy beard dotted with just enough gray to make him believable as the father of a young son. Continue reading 

Forty-Five Candles

Obvious jokes about a certain Simple Minds song aside, who could forget about Molly Ringwald? She’s the redheaded queen of teen flicks who headlined features like Pretty in Pink, The Breakfast Club and Sixteen Candles in the 1980s, but these days she’s settled into a different artistic milieu: music. That’s right, the actress has traded in her angst for a set of jazz standards, and she’s actually quite the chanteuse. Continue reading 

The Brothers Lawrence (Postponed)

Today’s electronic generation is lowering the music production learning curve so rapidly that many producers can’t even legally get into venues where their music is played. Take Disclosure, the UK-born-and-bred house duo consisting of brothers Guy and Howard Lawrence, who are only 21 and 18 respectively.  Continue reading 

Tripping Out

If you want to make Jeffry-Wynne Prince smile, call him Jeffry-Wynne. Not Jeff or Jeffry or Wynne or Prince, although that might make him smile for a different reason. The hyphenated first name (it’s Welsh) of The Kimberly Trip guitarist throws some people for a loop.  Continue reading 

Georgia on Their Minds

Soviet treasures, Tomos Svoboda, and Puss and Boots

No, we’re not talking about Ray Charles, the Allman Brothers, OutKast, R.E.M. or other musicians from the Southeastern US, but rather Zedashe, an ensemble from the former Soviet republic, which performs at the UO’s Beall Hall April 19. The group of singers and instrumentalists (using bagpipes, accordion, percussion and more) has spent years finding and reviving music that was suppressed or otherwise gone with the wind during the decades of Soviet domination. Continue reading 

Will Johnson

Musicians have been touring for years — it’s just part of the profession. Incidentally, touring musicians have had us up, out of our houses and walking to various venues for most of our lives. But mellow-shimmer genius Will Johnson found a way to turn this practice on its head. He’s embarked on a Western States Living Room Tour, which is exactly what it sounds like. The moody-voiced Missouri crooner is literally playing in people’s living rooms up and down the West Coast, and he’s making a stop in Eugene this week to play at an undisclosed location. Continue reading 

Ska, 50 years in the making

Rare is the band that can say they are still recording half a century after they began, but that is the case for the pioneers of ska music, The Skatalites. Formed in Jamaica in 1964, the band’s music has influenced the likes of The Police, No Doubt and Sublime, and early on they backed notable bands like Toots and the Maytals and Prince Buster and “The Wailing Wailers,” featuring Bob Marley. Continue reading 

Southern Boy Turns Titan

LCC’s Haimbach debuts with Bridegroom at Blowing Rock

“Coming out of the first interview I called my partner and said, ‘Start packing!’” new LCC Theater Director Brian Haimbach says. In a discussion that was heavily peppered with descriptors like “smooth,” “easy” and “meant to be,” it is obvious that Haimbach is happy in his new home with the Titans.  Stepping into the shoes of local legends Ed Raggazio and Patrick Torelle, Haimbach has a big job ahead of him, and one that he seems to be relishing.  Continue reading