Eugene Weekly

“Likable” might not be the first word that comes to mind when you imagine a semi-romantic comedy about a pair of divorcing thirtysomethings, but it might be just the word for Celeste and Jesse Forever. Writer and star Rashida Jones, who’s arguably most familiar from Parks and Recreation, turned what could have been a one-note role in I Love You Man into an actual character, and has a slippery, almost prickly warmth; she radiates a sense that she’s a lot of fun to be around until you piss her off. Continue reading →

Moonrise Kingdom is so charming, so quaintly and perfectly designed, like a pretty diorama in which Wes Anderson carefully places his actor-dolls, that it feels curmudgeonly to dislike it. And I don’t dislike it, exactly; I’m just not sure I feel much of anything about it. Everything is in its right place; the shots are beautiful, the sets just so. Two kids set out separately across a New England island, toting impossibly stylish bags, outfitted in dashing Khaki Scout uniforms and white socks. Continue reading →

Tony Gilroy directed Michael Clayton. Think about that, while you watch The Bourne Legacy, and ponder how it is that the writer-director of such a taut, effective film created something as skittish and incomplete as Bourne, which is about 45 percent prologue, and almost entirely unsatisfying.  Continue reading →