A Cinematographic Meditation

Samsara, according to the film’s website, is a Sanskrit word meaning “the ever turning wheel of life.” The film, which has taken this word for its title, has no dialogue, no narrative; it consists of a series of images the filmmakers describe as a “nonverbal, guided meditation.”  Continue reading 

The Bijou Connection

The French-themed Bijou Metro cinema to open downtown

Downtown Eugene: On a spring evening in 1938, Shirley Temple, Laurel and Hardy, Mae West, Ginger Rogers and the Three Stooges could be seen posing for the paparazzi under the bright lights of the Heilig Theater marquee where the Hult Center now stands. OK, they were actually local actors hired by the theater for the “Hollywood Premiere and Follies,” a show replicating the Hollywood glamour of an opening night at the Grauman’s Chinese Theater and slated by The Register-Guard as “one of the biggest social and theatrical events ever seen in this city.” Continue reading 

Money and Family in Russia

Elena begins with such a long, slowly shifting shot that the image — a bare tree branch, a black bird, an apartment balcony — becomes ominous. The branch blurs into the apartment, which comes into focus as a large, sterile, tasteful place, spacious and passionless, and clearly expensive. Continue reading 

Here’s Danny!

Stephen King announced on his website today that the sequel to The Shining will be released Sept. 24, 2013. King will bring the child character, Danny Torrence (the Esp-gifted/cursed kid who bikes around the Overlook Hotel), back to life in Doctor Sleep, as a middle-aged hospice employee who finds his supernatural powers still come in handy. Here's to 36 years in the making! Continue reading 

Snoozing Through Life

Mike Birbiglia’s life story is determined to come to you in all forms. In 2010, the comedian’s book Sleepwalk with Me and Other Painfully True Stories — a series of stories, half painful and half funny, about the comedian’s life, career and bouts with sleepwalking — was released. Continue reading 

Heroes and Villains

In 2006, director John Hillcoat blew my mind. I went into The Proposition knowing only that it was set in Australia and starred a lot of actors I admire; I came out half shellshocked and entirely awed. Bloody, ugly, intense, beautifully and intelligently made, The Proposition was a movie that wrestled with morality; put tough, deeply flawed characters front and center; and didn’t shy away from truly awful violence. Continue reading