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It’s refreshing to see a strong woman on stage with a mandolin in her hands. That particular role, typically dominated by male-bodied folk in string bands, is pivotal. The mandolin, usually seen played by women only in its classical guise, defines a great deal of string-band topography — those shrill plucks that carry listeners over musical plateaus to mountain-top exclamations. Continue reading
Pretend for a moment that you’re a member of an iconic music crew. You’ve released your seminal work years ago, and prevailing trends have seen the mainstream of your genre devolve from highly educated emcee orators into codeine-guzzling degenerates (here’s lookin’ at you, Wayne). You don’t want to raise a white flag to the wackness, but you’re not about to give up on your life’s work either. What do you do? Continue reading
Any of you ladies out there ever stumble upon an idea for a huge work project while you’re busy folding the never-ending pile of laundry and dinner is boiling over? Next time this happens, take a moment to appreciate being a woman in the 21st century by reflecting on the challenges that confronted Gerty Cori. A pioneer in biochemistry and the first woman to win a Nobel Prize in physiology or medicine, Cori had to think and fight for recognition and respect. Continue reading
"Whole Love" performed by Wilco at the Hult Center February 3, 2012. Full download available at http://bt.etree.org/details.php?id=552321 Continue reading
Behind every great writer hides an asshole. Dostoyevsky was a religious freak with a gambling problem. William Burroughs plinked a slug through his wife’s forehead. Faulkner guzzled a half-gallon of rye every day before noon. Shakespeare only willed his wife the spare bed. I’m far from a great writer, but I sure can be an asshole sometimes. It’s true. Maybe you should stop reading this. Continue reading
With R.E.M. having disbanded last year, it would appear that Wilco now stands pretty well unchallenged as the greatest American rock band. Since rising from the ashes of seminal post-punk country/folk/rock pioneers Uncle Tupelo in 1994, this Chicago-based band has released a series of albums that continues, with each successive drop, to challenge, confound, frustrate, mystify and amuse its fans. Continue reading
There are a lot of reasons I shouldn’t like Breathe Owl Breathe. They sound a bit like Jack Johnson meets Feist in a hookah lounge. They have all the hallmarks of easy-goin’ adult contemporary indie-folk. But there are things going on beneath the surface that set Breathe Owl Breathe apart from the “tailor-made-for-Starbucks” scene. Continue reading
Like an international sweat fest of nostalgic pleasure, Dengue Fever is better suited as a warmer-upper than a cold. With a gruff, garage-rock spangle slathered in funk, this L.A.-based band welds ’60s Cambodian pop to a surfboard and floats it out to sea. Founded in 2001 after a trip to Cambodia, Ethan and Zac Holtzman met a Cambodian-native lounge singer named Chhom Nimol, a star in her home country, who could sing and write songs in Khmer. Continue reading
Like that one ramshackle, half-collapsed barn you pass on the highway year after year, the music created by veteran Minneapolis band The Jayhawks is timeless — in a fragile, verdigised, sepia-toned, windblown, authentically American melancholia sort of way. Their sweetly bittersweet sound, all honeyed harmonies and landlocked blues and melodic rustic reverie, is like a soundtrack caught gorgeously between a hymn to our better selves and an elegy to how we’ve fallen short. Continue reading