A Ghostly Comedy Classic
Noel Coward’s Blithe Spirit is haunted at VLT

Whatever your particular feelings might be about the reality or unreality of ghosts, you must admit: A ghost is a fantastic literary device. To the … Continue reading
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Whatever your particular feelings might be about the reality or unreality of ghosts, you must admit: A ghost is a fantastic literary device. To the … Continue reading
Theresa Rebeck’s one-act play The Understudy, which opened Jan. 18 for a three-week run at Oregon Contemporary Theatre, appears on the surface to offer a … Continue reading
In a world of constant political tension and polarized opinions surrounding the Israeli-Palestinian conflict, Martin Cohen’s new play Checkpoint seeks to bridge the gap of … Continue reading
I have a confession: I never really liked The Lion King. As a child of the ’90s and subsequently Disney’s Renaissance period, I was obsessed … Continue reading
“Power that isn’t really justified by the will of the governed should be dismantled,” Noam Chomsky says, defining anarchism as a political philosophy. I pose … Continue reading
If you’ve seen the Broadway musical The Lion King, then you know that its puppets and masks are some of the most beautiful and complex … Continue reading
As 2018 mercifully closes, there’s so much wrong in our country that a significant portion of the music and theater being created today seems to … Continue reading
I often feel like I live in my car. Hundreds of miles in a dusty sedan littered with granola-bar wrappers and the sweaty water bottles … Continue reading
The sheer intimacy and immediacy of theater lends itself splendidly to the holidays. It’s as though, facing the stage, we are basking as one in … Continue reading
It’s December and, these days, that means omnipresent standard holiday tunes have already crossed the threshold between inspirational nostalgia and annoying oversaturation. So it’s a … Continue reading