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How do you present an antiquated, strictly traditional art form like ballet to an audience whose musical oldies are only 30 years old? Answer: fusion. … Continue reading
I’m a snob and a sniff and a two-bit dilettante of the lowest rank. For instance, I once dismissed Stephen King as an immature populist … Continue reading
Garrison Keillor’s 40-year run as host of A Prairie Home Companion came to an end last year, but the consummate storyteller continues to perform. At … Continue reading
Like so much that descends to us from the rich and fertile period of the late 19th century — Freud, Nietzsche and Marx, to name … Continue reading
If you’re like me, your experience with ballet is limited to The Nutcracker. As such, I associate ballet with incredible athletics, surreal costumes and incomprehensible … Continue reading
Will Eno’s Middletown, playing now at Oregon Contemporary Theatre, is a masterfully written, beautifully produced effort that seeks the extraordinary in the everyday. Directed by … Continue reading
Somewhere during the first act of Jesus Christ Superstar — playing now at Actors Cabaret of Eugene — I realize that basically Jesus is every … Continue reading
For Harmonic Laboratory, the concept of “collaboration” keeps getting redefined. “It’s been a topic of conversation for six years,” says the group’s inter-media, music and … Continue reading
In 2013, ballet dancers Suzanne Haag and Antonio Anacan wanted an alternative to off-season ballet work — an opportunity to continue dancing throughout the summer. … Continue reading
This season, Eugene Ballet Company audiences can look forward to a visit from MOMIX, a creative and divergent company with a long performance history arcing … Continue reading